The Art of Hans Knappertsbusch with Legendary Orchestras
£36.05
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Label: Scribendum
Cat No: SC830
Format: CD
Number of Discs: 10
Genre: Orchestral
Release Date: 9th April 2021
Contents
Works
Symphony no.2 in D major, op.36Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.4 in E minor, op.98
Variations on a theme by Haydn, op.56a 'St Anthony Variations'
Symphony no.3 in D minor
Symphony no.7 in E major
Symphony no.88 in G major, Hob.1:88
Don Juan, op.20
Tod und Verklarung (Death and Transfiguration), op.24
Die Meistersinger von Nurnberg
Tristan und Isolde
Artists
Christa Ludwig (mezzo-soprano)Bremer Philharmonisches Staatsorchester
Hessisches Radio Symphonie Orchester Frankfurt
Kolner Rundfunk Sinfonie Orchester
London Philharmonic Orchestra
NDR Sinfonieorchester
Orchestre de la Suisse Romande
Radio-Sinfonieorchester Stuttgart
Tonhalle Orchestra Zurich
Orchestre de la Societe des Concerts du Conservatoire
Conductor
Hans KnappertsbuschWorks
Symphony no.2 in D major, op.36Symphony no.3 in E flat major, op.55 'Eroica'
Symphony no.5 in C minor, op.67
Symphony no.8 in F major, op.93
Symphony no.2 in D major, op.73
Symphony no.3 in F major, op.90
Symphony no.4 in E minor, op.98
Variations on a theme by Haydn, op.56a 'St Anthony Variations'
Symphony no.3 in D minor
Symphony no.7 in E major
Symphony no.88 in G major, Hob.1:88
Don Juan, op.20
Tod und Verklarung (Death and Transfiguration), op.24
Die Meistersinger von Nurnberg
Tristan und Isolde
Artists
Christa Ludwig (mezzo-soprano)Bremer Philharmonisches Staatsorchester
Hessisches Radio Symphonie Orchester Frankfurt
Kolner Rundfunk Sinfonie Orchester
London Philharmonic Orchestra
NDR Sinfonieorchester
Orchestre de la Suisse Romande
Radio-Sinfonieorchester Stuttgart
Tonhalle Orchestra Zurich
Orchestre de la Societe des Concerts du Conservatoire
Conductor
Hans KnappertsbuschAbout
His interpretations of composers’ works lead to pleasing new discoveries, even within well-known scores.
Knappertsbusch disliked rehearsals intensely, believing that they were an inhibiting influence. He firmly believed in the inspiration of the moment being central to every performance, taking on Wagner’s idea of spontaneity and tempo modification.
His courageous artistry is clearly demonstrated in each of the five sets in this collection.
Recordings: 1947–1963
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