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Abu Hassan, J106 (16)
Air Russe and Rondo (1)
Allemandes (12), op.4 (1)
Andante e Rondo ungarese, op.35 J158 (9)
Aufforderung zum Tanze (Invitation to the Dance), op.65 J260 (9)
Bassoon Concerto in F major, op.75 J127 (11)
Clarinet Concertino in E flat major, op.26 J109 (22)
Clarinet Concerto no.1 in F minor, op.73 J114 (31)
» Adagio
Clarinet Concerto no.2 in E flat major, op.74 J118 (27)
Clarinet Quintet in B flat major, op.34 J182 (arr. string orchestra) (3)
Clarinet Quintet in B flat major, op.34 J182 (22)
Concerto 'Grand pot-pourri', op.20 (1)
Das Veilchen im Thale, J217 op.66 no.1 (1)
Der Beherrscher der Geister (The ruler of the spirits), op.27 J122 (15)
Der Freischutz, J277 (arr. for Wind Instruments by Wenzel Sedlak) (1)
Der Freischutz, J277 (101)
Deutsche Lieder (5), op.25 (1)
Die Drei Pintos, JAnh5 (completed G Mahler) (4)
Die Temperamente beim Verluste der Geliebten, op.46 (3)
Die Zeit, J97 op.13 no.5 (2)
Divertimento assai facile, op.38 (1)
Euryanthe, J291 (39)
Favoritwalzers (6), J143-148 (1)
Flute Sonatas (6), op.10 (3)
Freischutz March (1)
Grand Duo Concertant for Clarinet and Piano, op.48 J204 (16)
Grande Polonaise in E flat major, op.21 J59 (1)
Horn Concertino in E minor, op.45 J188 (6)
Ich denke dein, J48 op.66 no.3 (1)
Introduction, Theme and Variations, op.posth (2)
Invitation to the Dance (Aufforderung zum Tanze), J260 (arr. Henselt) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (arr. Tausig) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (orch. Berlioz) (17)
Invitation to the Dance (Aufforderung zum Tanze), J260 (orch. Berlioz/Stokowski) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (orch.Weingartner) (1)
Invitation to the Dance (Aufforderung zum Tanze), J260 (piano) (6)
Invitation to the Dance (Aufforderung zum Tanze), J260 (20)
Jubel-Ouverture (Jubilee Overture), op.59 J245 (13)
Konzertstuck in F minor, op.79 J282 (23)
Lieder (4), op.41 (1)
Lieder (6), op.15 (2)
Lieder (6), op.30 (2)
Lieder (6), op.47 (1)
Lieder (6), op.80 (1)
Lutzows wilde Jagd, J168, op.42 no.2 (1)
Marcia (2)
Mass no.1 'Freischutzmesse' (3)
Mass no.2 in G major, op.76 'Jubelmesse' (2)
Max Walzer (1)
Meine Farben, J62 op.23/1 (1)
Momento capriccioso, op.12 J56 (arr. Leopold Godowsky) (1)
Momento capriccioso, op.12 J56 (1)
Oberon, J306 (61)
Peter Schmoll und seine Nachbarn, J8 (9)
Petites pieces faciles (6), op.3 (2)
Piano Concerto no.1 in C major, op.11 J98 (7)
» Presto
Piano Concerto no.2 in E flat major, J155 (arr. Friedrich Wilhelm Jahns for piano 4 hands) (1)
Piano Concerto no.2 in E flat major, J155 (6)
Piano Quartet in B flat major, J76 (2)
Piano Sonata no.1 in C major, op.24 J138 (19)
Piano Sonata no.2 in A flat major, op.39 J199 (9)
Piano Sonata no.3 in D minor, op.49 J206 (7)
Piano Sonata no.4 in E minor, op.70 J287 (4)
Pieces (6) for piano duet, op.10a (2)
Pieces (8) for piano four hands, op.60 (1)
Polacca brillante in E major, op.72 J268 'L'hilarite' (orch. Liszt) (1)
Preciosa, J279 (10)
Romance (3)
Romanze appassionata (1)
Rondo Brillant, op.65 (1)
Rondo brillante, op.62 J252 (9)
Rondo in D Major (1)
Rondo (1)
Sextet for 2 clarinets, 2 horns and 2 bassoons (1)
Silvana, J87 (7)
Symphony no.1 in C major, op.19 J50 (11)
Symphony no.2 in C major, J51 (11)
Trio for flute, cello and piano in G minor, op.63 J259 (9)
Turandot, J75 (7)
» March
Variations (7) in F major, op.9 J55 (1)
Variations (7) on the Aria 'Vien'qua dorina bella', op.7 J53 (1)
Variations on an Original Theme, op.2 (1)
Variations on a theme from 'Silvana', op.33 (6)
Violin Sonatas (6), op.10 (2)
Volkslieder (8), op.64 (2)

Carl Maria Friedrich Ernst von Weber (18 or 19 November 1786 – 5 June 1826) was a German composer, conductor, pianist, guitarist and critic, one of the first significant composers of the Romantic school.

Weber's orchestration has also been highly praised and emulated by later generations of composers – Berlioz referred to him several times in his Treatise on Instrumentation while Debussy remarked that the sound of the Weber orchestra was obtained through the scrutiny of the soul of each instrument.

His operas influenced the work of later opera composers, especially in Germany, such as Marschner, Meyerbeer and Wagner, as well as several nationalist 19th-century composers such as Glinka. Homage has been paid to Weber by 20th-century composers such as Debussy, Stravinsky, Mahler (who completed Weber's unfinished comic opera Die drei Pintos and made revisions of Euryanthe and Oberon) and Hindemith (composer of the popular Symphonic Metamorphosis of Themes by Carl Maria von Weber).

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