In April 1920, following 12 years of intricate work, Leoš Janáček’s The Excursions of Mr Brouček premiered at the National Theatre in Prague, the one and only work of his to do so. A century later, the self-same theatre’s soloists, chorus and orchestra returned to the “Broučekiad” at the Rudolfinum in Prague. The present studio recording, after Neumann’s and Jílek’s only the third in the Supraphon catalogue, was thus in part made owing to the closure of theatres and concert halls during the recent Covid pandemic. Janáček dedicated The Excursions of Mr Brouček to T.G. Masaryk, the first President of the newly founded Czechoslovak Republic. Declining to celebrate the two nations’ acquired freedom and statehood by foregrounding Saint Wenceslas, Charles IV or another great figure of Czech history, the composer chose as the protagonist of his “national” opera one Mr Brouček, a narrow-minded oaf, coward, hypocrite, liar, boor and drunkard. A man overly fond of food and beer, possessing a simplistic worldview, suspicious of everything different and unaccustomed, loathing artists and intellectuals. In The Excursion of Mr Brouček to the Moon, his crassness clashes with the Moonlings’ aesthetic, highbrow affectation, while in The Excursion of Mr Brouček to the Fifteenth Century his unflinching self-centeredness, servility and mendacity contrast starkly with the ideals of the uncompromising Hussite warriors, fighting for “God’s truth”. As Janáček himself put it: “Brouček embodies our pettiness; made for stage.” One hundred years down the road, this picture of the “ordinary Czech” is still befitting, worthy of exposing. The new album features Jaroslav Březina, brilliantly portraying the lead character, and other distinguished Czech singers, under the seasoned conductor Jaroslav Kyzlink.


Recorded at the Rudolfinum, Prague, 29 August 2020 and 17–18 May 2021