Respighi - Orchestral Works
£58.85
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Label: BIS
Cat No: BIS2520
Format: Hybrid SACD
Number of Discs: 7
Genre: Orchestral
Release Date: 24th November 2023
Contents
Works
Passacaglia and Fugue in C minor, BWV582 (orch. Respighi)Prelude and Fugue in D major, BWV532 (arr. Respighi)
Etudes-Tableaux (8), op.33
Ancient Airs and Dances, Suite no.2, P138
Ancient Airs and Dances, Suite no.3, P172
Ballata delle Gnomidi, P124
Belfagor Overture, P140
Belkis, Queen of Sheba: Orchestral Suite
Chorales (3) after JS Bach, P167
Feste Romane (Roman Festivals), P157
Fontane di Roma (Fountains of Rome), P106
Gli uccelli (The Birds), P154
Il Tramonto, P101
Impressioni brasiliane (Brazilian Impressions), P153
La Boutique fantasque (after Rossini), P120
Metamorphoseon modi XII, P169
Pini di Roma (Pines of Rome), P141
Sinfonia drammatica, P102
Trittico Botticelliano, P151
Vetrate di chiesa (Church Windows), P150
Artists
Anna Caterina Antonacci (soprano)Orchestre PhilharmoniqueRoyal de Liege
Sao Paulo Symphony Orchestra
Conductor
John NeschlingWorks
Passacaglia and Fugue in C minor, BWV582 (orch. Respighi)Prelude and Fugue in D major, BWV532 (arr. Respighi)
Etudes-Tableaux (8), op.33
Ancient Airs and Dances, Suite no.2, P138
Ancient Airs and Dances, Suite no.3, P172
Ballata delle Gnomidi, P124
Belfagor Overture, P140
Belkis, Queen of Sheba: Orchestral Suite
Chorales (3) after JS Bach, P167
Feste Romane (Roman Festivals), P157
Fontane di Roma (Fountains of Rome), P106
Gli uccelli (The Birds), P154
Il Tramonto, P101
Impressioni brasiliane (Brazilian Impressions), P153
La Boutique fantasque (after Rossini), P120
Metamorphoseon modi XII, P169
Pini di Roma (Pines of Rome), P141
Sinfonia drammatica, P102
Trittico Botticelliano, P151
Vetrate di chiesa (Church Windows), P150
Artists
Anna Caterina Antonacci (soprano)Orchestre PhilharmoniqueRoyal de Liege
Sao Paulo Symphony Orchestra
Conductor
John NeschlingAbout
His transcriptions of works from the baroque period bear witness to his great musical refinement and are an example of the way in which people dared to adapt to current tastes at the beginning of the 20th century. His original compositions, whether symphonic poems, ballets or symphonic works, often call for a large orchestra, sometimes with the addition of numerous percussion instruments, piano, organ and even, in Pines of Rome, a phonograph, present a synthesis of the musical traditions of his native Italy and contemporary romantic, impressionist and neo-classical trends while remaining resolutely closed to modernist developments and atonality. Respighi’s lavish sound palette and the spirit that fills his scores were to find an echo in Hollywood film music, and John Williams considers him to be one of his most important influences.
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