Vers la Flamme: Scriabin, R Strauss, Eckardstein, Beethoven
£14.20
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: C-AVI
Cat No: AVI8553531
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 24th November 2023
Contents
Works
Piano Sonata no.32 in C minor, op.111Improvisation
Vers la flamme, op.72
Tod und Verklarung (Death and Transfiguration), op.24 (arr. for piano)
Artists
Severin von Eckardstein (piano)About
"The starting point was Beethoven's Sonata opus 111, but this little piece by Scriabin exemplifies an idea, and the title is ideal for the whole CD. The idea is a journey from the earthly to the light, it is about the question of how life and death are connected. Now you can say that it is generally a function of music that it catapults you into a new level of consciousness.
"But I think the four works on this CD do that in a special way, they radiate a tremendous power. They reflect different personal worlds, were written at different times and spring from different genres and sound ideas, yet they all have a similar function. Strauss is about a terminally ill person who suffers, but at the end of his life ascends to new spheres and finds redemption. Beethoven is also initially about something threatening, earthly, but he looks at it more philosophically.
"Beethoven does not reveal much of himself directly, everything is subject to a strict, architectural form, and that is why his music seems to be carved in stone. But in his last piano sonata, he crosses a boundary, one senses the jagged world he is divining, here he has finally expanded the form so much that he can ascend to new spheres."
Error on this page? Let us know here
Need more information on this product? Click here