Il Castrata del Granduca: Arias for Gaetano Berenstadt | Glossa GCD923539

Il Castrata del Granduca: Arias for Gaetano Berenstadt

£15.15

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Label: Glossa

Cat No: GCD923539

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 27th October 2023

Contents

Works

Ariosti, Attilio

Caio Marzio Coriolano
» Nel tuo figlio
Tito Manlio
» Overture

Bononcini, Giovanni Battista

Farnace
» O della sorte favor instabile

Capelli, Giovanni Maria

Giulio Flavio Crispo
» Piaccia agl'astri

Gasparini, Francesco

Astianatte
» Vezzosetta tra questi fiori

Giay, Giovanni Antonio

Demetrio
» Non fidi al mar che freme

Handel, George Frideric

Ottone, Re di Germania, HWV15
» Bel labbro formato
» Overture
Rinaldo, HWV7
» Ogni tua bella stilla
» Pregio e sol d'un alma forte
» Sorte amor vuol che quest'alma

Hasse, Johann Adolph

Astarto
» Al fato io t'abbandono
» Overture

Lotti, Antonio

Ascanio
» L'incauto che non teme

Sarro, Domenico

Siroe re di Persia
» Gelido in ogni vena

Vinci, Leonardo

Didone abbandonata
» Tra lo splendor del trono

Artists

Filippo Mineccia (countertenor)
I Musici del Gran Principe

Conductor

Samuele Lastrucci

Works

Ariosti, Attilio

Caio Marzio Coriolano
» Nel tuo figlio
Tito Manlio
» Overture

Bononcini, Giovanni Battista

Farnace
» O della sorte favor instabile

Capelli, Giovanni Maria

Giulio Flavio Crispo
» Piaccia agl'astri

Gasparini, Francesco

Astianatte
» Vezzosetta tra questi fiori

Giay, Giovanni Antonio

Demetrio
» Non fidi al mar che freme

Handel, George Frideric

Ottone, Re di Germania, HWV15
» Bel labbro formato
» Overture
Rinaldo, HWV7
» Ogni tua bella stilla
» Pregio e sol d'un alma forte
» Sorte amor vuol che quest'alma

Hasse, Johann Adolph

Astarto
» Al fato io t'abbandono
» Overture

Lotti, Antonio

Ascanio
» L'incauto che non teme

Sarro, Domenico

Siroe re di Persia
» Gelido in ogni vena

Vinci, Leonardo

Didone abbandonata
» Tra lo splendor del trono

Artists

Filippo Mineccia (countertenor)
I Musici del Gran Principe

Conductor

Samuele Lastrucci

About

Like all castrati, Gaetano Berenstadt's hormones had gone crazy, but Berenstadtis were particularly strong. With a height of about 185 cm, he is said to have had 130 cm long legs, arms that were far too short and a corpulent belly; a field day for the caricaturists. But when he stood on the opera stage and sang, he was idolised.

Berenstadt, born in Florence in 1687 and lifelong loyal to his patrons, the Medici, at the same time Grand Dukes of Tuscany, experienced his artistic career in the first third of the 18th century. He sang at all the important opera houses in Italy and for some years in London.

The most famous composers of his time such as Ariosti, Bononcini, Gasparini, Hasse, Sarro and Vinci appreciated him for his vocal and acting abilities. Handel in particular was a great admirer of Berenstadt; in addition to several roles in world premieres, he even wrote new arias for him for the London revival of Rinaldo in 1717.

Filippo Mineccia, also from Florence and one of the leading countertenors of our day, follows in the musical footsteps of his Florentine predecessor and draws an impressive portrait of Berenstadt's career on this recording.

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