Vivaldi - La Stravaganza, op.4: Transcriptions for Organ
£9.45
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Brilliant Classics
Cat No: 96614
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 31st March 2023
Contents
Works
Violin Concertos (12), op.4 'La stravaganza'Artists
Luca Scandali (organ)Works
Violin Concertos (12), op.4 'La stravaganza'Artists
Luca Scandali (organ)About
La Stravaganza, op.4, was published in approximately 1714, and its 12 concerti are almost entirely written for solo violin, with the sole exception of Concerto no.7, which is scored for two violins and cello. The curious title (which literally means ‘extravagance’ or ‘eccentricity’) that Vivaldi gave to this collection seems to refer to the early Italian baroque style, which remained dominant throughout the 1600s through to the early 1700s. This particular style sought to move and cajole audiences in various ways, including expert use of eccentric features, trickery and virtuosity, and its influence was felt in all the 17th century’s instrumental and vocal writing. Vivaldi’s musical language and style also contained certain ‘extravagant’ elements, albeit interpreted in his own personal way. Numerous examples of stylistic originality marked a genuine departure from Corelli, while attesting to the bold experimentation and acrobatic virtuosity for which Vivaldi is renowned: asymmetry in form; extensive and inventive harmonic progressions; sudden, theatrical breaks; and prominent, fast and virtuosic solo parts.
The concertos on this recording come from the Anne Dawson’s Book collection, held in the Henry Watson Music Library in Manchester (UK). In addition to arias for voice and basso continuo, the collection, produced in around 1720, also contains a series of compositions for keyboard instruments and transcriptions of concertos by various composers, including ten by Vivaldi (three from Op.3 and seven from Op.4). The majority of the arrangements in this source are Italian concertos and serve to highlight in particular the huge popularity Vivaldi’s concertos enjoyed. Like many transcriptions from the era, the arrangements in Anne Dawson’s Book tend to prioritise the original score, while clearly adapting the pieces to the idiom of keyboard instruments and the opportunities they present.
Error on this page? Let us know here
Need more information on this product? Click here