Sandrine Piau: Voyage intime | Alpha ALPHA911

Sandrine Piau: Voyage intime

£14.49

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Label: Alpha

Cat No: ALPHA911

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 10th February 2023

Contents

Works

Boulanger, Lili

Clairieres dans le ciel (13 songs)
» no.6 Si tout ceci n'est qu'un pauvre reve
» no.8 Vous m'avez regarde avec toute votre ame
Cortege

Debussy, Claude

Poemes (5) de Charles Baudelaire
» III Le jet d'eau
» IV Recueillement
» V La mort des amants

Duparc, Henri

L'Invitation au voyage
La Vie anterieure

Liszt, Franz

Comment, disaient-ils, S276
Lieder (3) from 'William Tell', S292
» no.1 Der Fischerknabe

Schubert, Franz

Der Tod und das Madchen (Death and the Maiden), D531 op.7 no.3
Erlkonig, op.1 D328
Gesange (4) aus Wilhelm Meister, D877
» no.2 Heiss' mich nicht reden
» no.3 So lasst mich scheinen
Kennst du das Land, D321

Schumann, Clara

Lieder (6), op.13
» no.2 Sie liebten sich beide
Lorelei
Scherzo no.2 in C minor, op.14

Wolf, Hugo

Morike-Lieder
» no.8 Begegnung
» no.12 Verborgenheit
» no.23 Auf ein altes Bild

Artists

Sandrine Piau (soprano)
David Kadouch (piano)

Works

Boulanger, Lili

Clairieres dans le ciel (13 songs)
» no.6 Si tout ceci n'est qu'un pauvre reve
» no.8 Vous m'avez regarde avec toute votre ame
Cortege

Debussy, Claude

Poemes (5) de Charles Baudelaire
» III Le jet d'eau
» IV Recueillement
» V La mort des amants

Duparc, Henri

L'Invitation au voyage
La Vie anterieure

Liszt, Franz

Comment, disaient-ils, S276
Lieder (3) from 'William Tell', S292
» no.1 Der Fischerknabe

Schubert, Franz

Der Tod und das Madchen (Death and the Maiden), D531 op.7 no.3
Erlkonig, op.1 D328
Gesange (4) aus Wilhelm Meister, D877
» no.2 Heiss' mich nicht reden
» no.3 So lasst mich scheinen
Kennst du das Land, D321

Schumann, Clara

Lieder (6), op.13
» no.2 Sie liebten sich beide
Lorelei
Scherzo no.2 in C minor, op.14

Wolf, Hugo

Morike-Lieder
» no.8 Begegnung
» no.12 Verborgenheit
» no.23 Auf ein altes Bild

Artists

Sandrine Piau (soprano)
David Kadouch (piano)

About

Sandrine Piau and the pianist David Kadouch have formed a new duo whose first concerts have been enthusiastically received. As is her wont, the French soprano enjoys intermingling languages and the worlds of different composers and poets around a theme; here Schubert, Liszt, Wolf and Clara Schumann rub shoulders with Lili Boulanger, Duparc and Debussy.

Sandrine Piau explains: ‘The promise of new horizons, the joy of new encounters: the journey in all its forms was the common thread of this recital for David and me. From the quest for a longed-for yet inaccessible elsewhere to the ultimate transition to death, it maps out our aspirations, our obstacles and the “joyous getaways” offered to us by the whirlwind of life.’ She quotes a beautiful poem often attributed to Pablo Neruda: ‘He dies slowly who does not travel, who does not read, who does not listen to music, who does not know how to find grace in his own eyes.’

Sound/Video





Reviews

Piau’s way of singing off the line while deploying subtle gradations of colour and dynamics to illuminate the text finds its counterpart in Kadouch’s poetic yet detailed playing, and they often achieve a remarkable unity of aim and expression, admirably restrained throughout, yet on occasion also startling. ... It all adds up to a beautiful, often profoundly affecting recital, to which you will want to return again and again.  Tim Ashley
Gramophone March 2023
This is a glorious collaboration, and a wonderful record. If it doesn’t pick up some awards, it will probably only be because Sandrine Piau’s releases, particularly of baroque repertoire, tend to win so many of them anyway. ... Piau has engaged completely with texts which are the peaks of French and German literature.  Sebastian Scotney
The Arts Desk February 2023
The ultimate destination, of course, is death, so jolly listening doesn’t always follow. Yet we’re easily pulled into most of the songs by the vibrato-light clarity of Piau’s voice, and the delicate piano playing of David Kadouch, who beckons us so beautifully into the opening seconds of Liszt’s Schiller setting, “Der Fischerknabe”, another song about a watery grave
The Times
Gramophone Editor's Choice

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