Befreit: A Soul Surrendered | Chandos CHAN20177

Befreit: A Soul Surrendered

£14.49

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Label: Chandos

Cat No: CHAN20177

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 17th February 2023

Contents

Works

Mahler, Gustav

Kindertotenlieder

Muller-Hermann, Johanna

Herbstlieder (5), op.28
» no.5 In Memoriam
Lieder (4), op.4
» no.1 Die stille Stadt
Lieder (4), op.20
» no.2 Herbst
» no.4 Wie eine Vollmondnacht
Lieder (5), op.2
» no.4 Der letzte Abend

Schweikert, Margarete

Die Entschlafenen
Totenhausen
Unser Haus
Wolke I
Zusammen sterben

Strauss, Richard

Lieder (4), op.27
» no.4 Morgen
Lieder (5), op.39
» no.4 Befreit
Lieder (5), op.47
» no.1 Auf ein Kind
» no.3 Ruckleben
Lieder (8), op.10 TrV141 (Gedichte aus 'Letzte Blatter')
» no.8 Allerseelen

Artists

Kitty Whately (mezzo-soprano)
Joseph Middleton (piano)

Works

Mahler, Gustav

Kindertotenlieder

Muller-Hermann, Johanna

Herbstlieder (5), op.28
» no.5 In Memoriam
Lieder (4), op.4
» no.1 Die stille Stadt
Lieder (4), op.20
» no.2 Herbst
» no.4 Wie eine Vollmondnacht
Lieder (5), op.2
» no.4 Der letzte Abend

Schweikert, Margarete

Die Entschlafenen
Totenhausen
Unser Haus
Wolke I
Zusammen sterben

Strauss, Richard

Lieder (4), op.27
» no.4 Morgen
Lieder (5), op.39
» no.4 Befreit
Lieder (5), op.47
» no.1 Auf ein Kind
» no.3 Ruckleben
Lieder (8), op.10 TrV141 (Gedichte aus 'Letzte Blatter')
» no.8 Allerseelen

Artists

Kitty Whately (mezzo-soprano)
Joseph Middleton (piano)

About

The mezzo-soprano Kitty Whately trained at Chetham’s School of Music, the Guildhall School of Music and Drama, and the International Opera School of the Royal College of Music. Having won both the Kathleen Ferrier Award and Royal Overseas League Award in the same year, she attended the prestigious Academy of the Verbier Festival. She writes of this project: ‘It has been my great pleasure to record with Joseph once again. We have long shared a mutual passion for early-twentieth-century romantic Lieder and talked of making a disc including songs by Mahler and Strauss. The opportunity to discover and research lesser-known composers from their era has been thrilling and fascinating. As the world endured the pandemic, we all experienced fear and danger and loss in a way that most of our generation never did before, on such a global scale. Joseph and I felt drawn to reflect on grief, mortality, and bereavement.’

The two lesser-known composers featured in the recording are Johanna Müller-Hermann (who studied with several of the most prominent teachers in Vienna – Josef Labor, Guido Adler, Alexander Zemlinsky, Josef Bohuslav Foerster, Franz Schmidt) and Margarete Schweikert, whose upbringing and life in Karlsruhe and studies with Joseph Haas in Stuttgart could hardly provide a greater contrast – clearly audible in their music.

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