As We Are: Music for Saxophone | Cedille Records CDR90000213

As We Are: Music for Saxophone

£13.25

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Label: Cedille Records

Cat No: CDR90000213

Format: CD

Number of Discs: 1

Release Date: 6th January 2023

Contents

About

Saxophonist Julian Velasco headlines an inventive, virtuosic, and diverse album of contemporary classical works for soprano, alto, and tenor sax as winner of Cedille Records’ first Emerging Artist Competition, a juried event celebrating the independent classical label’s 30th anniversary of championing Windy City artists of world-class talent.

For his first-ever album as a featured soloist, Velasco has assembled a programme he says reflects “the different musical aspects of my life at this moment” while paying tribute to “the unique and wonderful people with whom I have been lucky enough to surround myself.”

The album opens with works for saxophone and piano, performed with collaborative pianist extraordinaire Winston Choi. These include the world-premiere recording of classical saxophonist and composer Steven Banks’s Come As You Are, with Velasco on tenor sax, a composition influenced by African American sacred music and structured like a four-movement sonata. Velasco picks up his alto sax for David Maslanka’s Tone Studies no.5: Wie bist du, Seele, which adopts its melody from a J.S. Bach four-part chorale. John Anthony Lennon’s Distances Within Me explores the vocal qualities of the alto sax in a score drawing inspiration from early 20th-century avant-gardist Alban Berg’s Wozzeck and jazz fusion bands like pianist Chick Corea’s Return to Forever. Amanda Harberg’s Court Dances, heard here in the world-premiere recording of the soprano sax version, is a three-movement suite referencing French Renaissance and Baroque court dances.

Works for saxophone and electronics include world premieres of the soprano sax versions of Elija Daniel Smith’s Animus and Christopher Cerrone’s Liminal Highway. Animus places the live-in-studio saxophonist “in conversation” with his own recordings. Liminal Highway, inspired by a John K. Sampson poem of the same name, calls for extended techniques such as flutter-tongue, slap-tongue, and key clicks, while enlisting a harmonica and empty beer bottles, also played by the saxophonist.

Raised in Los Angeles and based in Chicago, Velasco has premiered more than 50 new works, collaborating and performing with artists including, among others, jazz bassists Ron Carter and Christian McBride and jazz pianist Billy Childs, as well as classical new-music stalwarts PRISM Quartet and Bang on a Can All-Stars. He is soprano saxophonist of ~Nois saxophone quartet, which has performed at festivals across America and held residencies and given performances at more than 30 institutions, including the University of Southern California, New York’s Manhattan School of Music, and Princeton University. At the start of the 2022–2023 season, Velasco made his Chicago Symphony Center concerto debut with the Chicago Sinfonietta.

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