Minerva Piano Trio: Dance | Somm SOMMCD0658

Minerva Piano Trio: Dance

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Label: Somm

Cat No: SOMMCD0658

Format: CD

Number of Discs: 1

Genre: Chamber

Release Date: 25th November 2022

Contents

Artists

Minerva Piano Trio

Works

Birchall, Richard

Contours

Frances-Hoad, Cheryl

My Fleeting Angel, for piano trio

Ravel, Maurice

Daphnis et Chloe
» Danse guerriere (arr. David Knotts)
» Nocturne (arr. David Knotts)
» Pantomime (arr. David Knotts)

Shaw, Caroline

Gustave Le Gray (arr. Annie Yim)

Stravinsky, Igor

Pulcinella Suite (arr. Richard Birchall)

Artists

Minerva Piano Trio

About

SOMM Recordings is thrilled to announce Dance!, the debut recording by the Minerva Piano Trio, featuring seminal pieces by Stravinsky and Ravel alongside new work by two British composers, Cheryl Frances-Hoad and Richard Birchall, and Pulitzer Prize-winning American, Caroline Shaw.

Formed in 2013 and acclaimed for their “immaculate technique… high degree of maturity, concentration, commitment and energy” by Classical Source, the Minerva Piano Trio – pianist Annie Yim, violinist Michał Ćwiżewicz, and cellist Richard Birchall – has earned glowing plaudits from audiences and critics alike, Arcana FM marking them as “an ensemble which is clearly going places”, Classical Source declaring “how lucky modern-day composers are to have such expert and sympathetic advocates”, The Times praising them for “the most beautiful sounds”.

Dance! features two ballet pieces by Stravinsky and Ravel, the former’s Pulcinella Suite arranged by the Minerva’s Richard Birchall, the latter’s Daphnis et Chloé heard in David Knott’s arrangement of three scenes that, says the Trio’s Annie Yim, illustrate “the discovery of love: innocence, awakening, touch, and passion”. Both arrangements are receiving first recordings.

Also making their debuts on disc are Birchall’s own Contours, described by Caroline Potter in her informative booklet notes as exploring “the notion and elastic meaning of its title in different ways”, and, in Annie Yim’s arrangement, Caroline Shaw’s Gustave Le Gray. Rooted in a Chopin Mazurka, it eloquently mimics its artist namesake’s facility for poetically layered voices and images.

Completing the recital is Cheryl Frances-Hoad’s My Fallen Angel. Inspired by a short story about the dour, deadening domesticity of married life by the poet Sylvia Plath, Potter likens both composer and piece to Olivier Messiaen, hailing the work’s “logic and appealing sound world of its own” and Frances-Hoad as “a sound-colour synaesthete who associates specific colours with sounds”.

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