Mozart - Italian Arias | Glossa GCD923534

Mozart - Italian Arias

£15.15

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Label: Glossa

Cat No: GCD923534

Format: CD

Number of Discs: 1

Genre: Opera

Release Date: 16th September 2022

Contents

Works

Gluck, Christoph Willibald

Le feste d'Apollo
» Numi offesi

Guglielmi, Pietro Alessandro

Ruggiero
» Nel suo dolor ristretto

Mozart, Wolfgang Amadeus

Ascanio in Alba, K111
» Al mio ben veggio avanti
Betulia liberata, K118
» Parto inerme e non pavento
» Prigionier che fa ritorno
Mitridate, re di Ponto, K87
» Gia dagli occhi il velo e tolto
» Venga pur, minacci e frema
Symphony no.10 in G major, K74

Myslivecek, Josef

Il Tobia
» Quando il vaso in colmo e pieno

Artists

Filippo Mineccia (countertenor)
Orchestra Farnesiana

Conductor

Luca Oberti

Works

Gluck, Christoph Willibald

Le feste d'Apollo
» Numi offesi

Guglielmi, Pietro Alessandro

Ruggiero
» Nel suo dolor ristretto

Mozart, Wolfgang Amadeus

Ascanio in Alba, K111
» Al mio ben veggio avanti
Betulia liberata, K118
» Parto inerme e non pavento
» Prigionier che fa ritorno
Mitridate, re di Ponto, K87
» Gia dagli occhi il velo e tolto
» Venga pur, minacci e frema
Symphony no.10 in G major, K74

Myslivecek, Josef

Il Tobia
» Quando il vaso in colmo e pieno

Artists

Filippo Mineccia (countertenor)
Orchestra Farnesiana

Conductor

Luca Oberti

About

Between 1769 and 1773, Mozart made three travels to Italy, under the guidance of his father Leopold.

The present programme traces the stages espscially of his first two trips from 1769 to 1771, during which the young Mozart played an important role in Milan's musical life, and reconstructs the most important musical encounters. Arias from Mitridate and Ascanio in Alba (written for the Teatro Regio Ducale Milan) and Betulia liberata (written for Padua) can be heard.

The programme is rounded off by the musical background that Mozart found on the peninsula, illustrated by arias from operas by Guglielmi, Mysliveček and Gluck - all representatives of a style and a search for language that was precisely the reason why the "Viaggio in Italia" was an essential stage in the training of the young composer.

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