Impressions nocturnes: Piano Nocturnes | Stradivarius STR37229

Impressions nocturnes: Piano Nocturnes

£15.15

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Label: Stradivarius

Cat No: STR37229

Format: CD

Number of Discs: 1

Genre: Instrumental

Release Date: 5th August 2022

Contents

Works

Auric, Georges

Nocturne 'Les Facheux'

Chopin, Frederic

Nocturnes (21)
» no.7 in C sharp minor, op.27 no.1

Debussy, Claude

Preludes (12), Book 1
» no.4 Les sons et les parfums tournent dans l'air du soir
Preludes (12), Book 2
» no.12 Feux d'artifice

Faure, Gabriel

Nocturne no.8 in D flat major, op.84
Nocturne no.9 in B minor, op.97

Migot, Georges

Nocturnes (4)

Poulenc, Francis

Nocturnes (8)
» no.4 in C minor 'Bal fantome'
» no.5 in D minor 'Phalenes'

Werner, Jean-Jacques

Chansons-Reves pour Sophie

Artists

Patricia Pagny (piano)

Works

Auric, Georges

Nocturne 'Les Facheux'

Chopin, Frederic

Nocturnes (21)
» no.7 in C sharp minor, op.27 no.1

Debussy, Claude

Preludes (12), Book 1
» no.4 Les sons et les parfums tournent dans l'air du soir
Preludes (12), Book 2
» no.12 Feux d'artifice

Faure, Gabriel

Nocturne no.8 in D flat major, op.84
Nocturne no.9 in B minor, op.97

Migot, Georges

Nocturnes (4)

Poulenc, Francis

Nocturnes (8)
» no.4 in C minor 'Bal fantome'
» no.5 in D minor 'Phalenes'

Werner, Jean-Jacques

Chansons-Reves pour Sophie

Artists

Patricia Pagny (piano)

About

Tender or troubled, dark or starlit, the night has long been a source of artistic creativity. Whether it is simple music to help children fall asleep, or broader forms inspired by the nocturnal theme, this recording suggests some of the many facets of an essentially romantic element, dictated by the unconscious.

Twentieth-century France was certainly one of the countries that developed this theme most, proposing a poetic content with an extensive panorama, ranging from melancholy and mystery, to pure and enchanting melody, passing through the instantaneous description of a scene or a painting, the aim of each composer being to exploit a flexible structure, favouring the alternation between highly expressive lyrical passages and other more or less animated moments.

Far from the clamour of the media, Patricia Pagny has for years made a name for herself in the world of music by following an atypical path marked by important tours abroad.

Her frequent appearances in Asia and Europe, the masterclasses she holds in various music centres, her position as Professor at the Hochschule der Künste in Bern, her presence on the juries of international competitions, her commitment to the promotion of the new generation of musicians, within the framework of the ‘Tasti’Era-Projects’ programme of which she is artistic director, as well as a rich and varied discography, are all evidence of her intense activity.

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