
Paul Paray: The Mercury Masters Vol.1 (1953-1957)
£94.95
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Australian Eloquence
Cat No: ELQ4842318
Format: CD
Number of Discs: 23
Release Date: 5th August 2022
Contents
Works
Offrande a une ombreSymphony no.6 in F major, op.68 'Pastoral'
Symphony no.7 in A major, op.92
Carmen Suite
L'Arlesienne Suite no.1
L'Arlesienne Suite no.2
Symphony no.4 in E minor, op.98
Bourree fantasque (orch. Felix Mottl)
Espana
Symphony in B flat major, op.20
Images pour orchestre
The Sorcerer's Apprentice (L'Apprenti sorcier)
Pavane, op.50
Pelleas et Melisande Suite, op.80
Psyche: Suite
Symphony in D minor, op.48
Symphony no.96 in D major, Hob.I:96 'Miracle'
Escales
Les Preludes: symphonic poem, S97
Symphony no.35 in D major, K385 'Haffner'
Mass for the 500th Anniversary of the Death of Joan of Arc
Symphony no.2 in E minor, op.27
Bolero
La Valse
Ma Mere l'Oye (Mother Goose)
Rapsodie espagnole
Capriccio espagnol, op.34
Russian Easter Festival Overture, op.36
Symphony no.2, op.9 'Antar'
Le Festin de l'araignee, op.17
Suite in F major, op.33
Symphony no.3 in C minor, op.78 'Organ Symphony'
Symphony no.2 in C major, op.61
Symphony no.3 in E flat major, op.97 'Rhenish'
Symphony no.4 in D minor, op.120
Der fliegende Hollander (The Flying Dutchman)
Siegfried
Artists
Jerry Terheyden (narrator)Marcel Dupre (organ)
Frances Yeend (soprano)
Frances Bible (mezzo-soprano)
David Lloyd (tenor)
Yi-Kwei-Sze (bass)
Rackham Symphony Choir
Detroit Symphony Orchestra
Conductor
Paul ParayWorks
Offrande a une ombreSymphony no.6 in F major, op.68 'Pastoral'
Symphony no.7 in A major, op.92
Carmen Suite
L'Arlesienne Suite no.1
L'Arlesienne Suite no.2
Symphony no.4 in E minor, op.98
Bourree fantasque (orch. Felix Mottl)
Espana
Symphony in B flat major, op.20
Images pour orchestre
The Sorcerer's Apprentice (L'Apprenti sorcier)
Pavane, op.50
Pelleas et Melisande Suite, op.80
Psyche: Suite
Symphony in D minor, op.48
Symphony no.96 in D major, Hob.I:96 'Miracle'
Escales
Les Preludes: symphonic poem, S97
Symphony no.35 in D major, K385 'Haffner'
Mass for the 500th Anniversary of the Death of Joan of Arc
Symphony no.2 in E minor, op.27
Bolero
La Valse
Ma Mere l'Oye (Mother Goose)
Rapsodie espagnole
Capriccio espagnol, op.34
Russian Easter Festival Overture, op.36
Symphony no.2, op.9 'Antar'
Le Festin de l'araignee, op.17
Suite in F major, op.33
Symphony no.3 in C minor, op.78 'Organ Symphony'
Symphony no.2 in C major, op.61
Symphony no.3 in E flat major, op.97 'Rhenish'
Symphony no.4 in D minor, op.120
Der fliegende Hollander (The Flying Dutchman)
Siegfried
Artists
Jerry Terheyden (narrator)Marcel Dupre (organ)
Frances Yeend (soprano)
Frances Bible (mezzo-soprano)
David Lloyd (tenor)
Yi-Kwei-Sze (bass)
Rackham Symphony Choir
Detroit Symphony Orchestra
Conductor
Paul ParayAbout
Recorded from 1953 to 1957, during the golden era of the orchestra, this original jacket collection includes both mono and early stereo recordings, remastered from the original sources by Thomas Fine. They are presented chronologically as when first issued.
The activities of the Detroit Symphony had been suspended for two years when Paul Paray took over in 1951, and within a season he had raised them to a standard of excellence drawing breathless praise from exacting New York critics such as Virgil Thomson and Harold C. Schonberg. The partnership also kindled a renaissance in Paray’s career, and the ten-year period of his directorship was the most successful and fulfilling of his career.
The recently founded classical division of the Mercury label quickly spotted the unique qualities of the DSO/Paray partnership, and signed them up to an exclusive contract which produced several new albums a year and played to the strengths of Paray in both French and German music. Critics outside France were initially taken aback by his swift tempi in Beethoven and other composers, but Paray’s approach now seems strikingly ahead of its time.
Covering the first five years of the DSO/Paray albums on Mercury, including both mono and early stereo recordings, Volume 1 includes three spine-tingling Wagner recordings; a fiery account of the Franck Symphony which immediately invited comparison with Toscanini; a Rimsky-Korsakov album which introduced thousands of listeners to the lovable ‘Antar’ Symphony; the first three volumes of a Schumann cycle which Paray esteemed as his proudest achievement on record; Saint-Saëns ‘Organ’ symphony, which reunited Paray with his childhood friend Marcel Dupré at the new Aeolian-Skinner organ of the Ford Auditorium in Detroit; and Paray’s own deeply felt Mass for the 500th Anniversary of the Death of Joan of Arc.
Recordings in this new set have been remastered from the original sources by Thomas Fine, son of the Mercury producer Wilma Cozart Fine and the label’s chief engineer Robert Fine. They are presented in this original jacket collection as they were first issued, and accompanied by a richly illustrated booklet which contains essays on the sessions by Thomas Fine and on the DSO/Paray partnership by Peter Quantrill.
“Judging from the first releases by him and the newly resuscitated Detroit Symphony Orchestra, [Paray] should soon come into his own. His reading of this much-played symphony is a thrill from start to finish.” – High Fidelity, November 1953 (Franck)
“Once again, Paray reveals his mastery at interpreting modern French music. The [Pelléas Suite] emerges as the essence of beauty and simplicity, while La Valse, infused with new life, is made to rise to thrilling dramatic heights.” – High Fidelity, December 1954 (Fauré/Franck/Ravel)
“[The DSO] play French music with altogether admirable style and technique, and though the former may be due to Paray’s expert coaching, the latter is very clearly their own possession – and a most remarkable one it is.” – Gramophone, February 1955 (Dukas/Fauré/Roussel)
“Recommended without reserve … Paray and his orchestra play each [excerpt] most sympathetically … the Tristan Prelude is extremely well built by Paray.” – Gramophone, July 1957 (Wagner)
Reviews

Error on this page? Let us know here
Need more information on this product? Click here