Colores del sur
£13.25
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Label: Trptk
Cat No: TTK0084
Format: Hybrid SACD
Number of Discs: 1
Genre: Chamber
Release Date: 11th March 2022
Contents
Works
Espana: Album Leaves (6), op.165 B37 (Seis hojas de album)Tableaux de Provence
Scaramouche, suite for clarinet and piano, op.165d
O canto do cysne negro (Song of the Black Swan)
Youkali
Artists
Femke IJlstra (saxophone)Celia Garcia-Garcia (piano)
Works
Espana: Album Leaves (6), op.165 B37 (Seis hojas de album)Tableaux de Provence
Scaramouche, suite for clarinet and piano, op.165d
O canto do cysne negro (Song of the Black Swan)
Youkali
Artists
Femke IJlstra (saxophone)Celia Garcia-Garcia (piano)
About
In the 19th century, the Spanish bourgeoisie was mainly charmed by the opera-like zarzuelas. They saw the many Spanish dances as uninteresting folk music and turned their noses up at Andalusian flamenco and cante jondo.
Only in the last quarter of the 19th century did this change, when especially foreigners like Glinka and later Rimsky-Korsakov in Russia and Frenchmen like Lalo, Bizet and Chabrier professed their love for Spanish music so convincingly. In their wake followed Debussy and Ravel, more or less at the same time as in Spain itself Isaac Albéniz and Enrique Granados. Then the writer Federico García Lorca and the composer Manuel de Falla elevated Spanish folk music to the status of national cultural heritage.
Since many Spaniards in the late 19th and a large part of the 20th century worked and often lived in France, the influence has been strong both ways. In fact, Villa-Lobos came to France to look at the art there, but the other way round, Milhaud travelled to Brazil for his work and got to know the ‘couleur locale’ there, which struck him as so colourful and exotic. In short, in Colores del sur, the many crosslinks between Spain and France in particular (with excursions to and from Brazil) are discussed in detail, with a multitude of dances and impressions.
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