Beethoven - Symphony no.6; Stucky - Silent Spring | Reference Recordings FR747

Beethoven - Symphony no.6; Stucky - Silent Spring

£13.25

In stock - available for despatch within 1 working day

Label: Reference Recordings

Cat No: FR747

Format: Hybrid SACD

Number of Discs: 1

Genre: Orchestral

Release Date: 10th June 2022

Contents

Artists

Pittsburgh Symphony Orchestra

Conductor

Manfred Honeck

Works

Beethoven, Ludwig van

Symphony no.6 in F major, op.68 'Pastoral'

Stucky, Steven

Silent Spring

Artists

Pittsburgh Symphony Orchestra

Conductor

Manfred Honeck

About

Reference Recordings proudly presents the Symphony no.6 of Ludwig van Beethoven, with Steven Stucky’s Silent Spring, in exceptional performances from Manfred Honeck and the Pittsburgh Symphony Orchestra. Maestro Honeck honours us again with his meticulous music notes. He gives rare insight into his conducting and interpretation, as well as the history and musical structure of Beethoven’s beloved ‘Pastoral’ Symphony.

Steven Stucky’s Silent Spring was commissioned by the Pittsburgh Symphony Orchestra in honour of the 50th anniversary of the publication of the book Silent Spring, the seminal work by Pittsburgh native Rachel Carson. It had its world-premiere performance in February 2011. The composer generously includes his own album notes about this work, which like the book can be heard as a call to action to love and save nature and the earth before it is too late.

The Pittsburgh Symphony Orchestra, known for its artistic excellence for more than 125 years, is credited with a rich history of the world’s finest conductors and musicians, and is deeply committed to Pittsburgh and its region. Since 2008, the Pittsburgh Symphony has been led by its worldwide acclaimed Music Director Manfred Honeck. Past music directors have included many of the greats, including Fritz Reiner, William Steinberg, André Previn, Lorin Maazel and Mariss Jansons. The Pittsburgh Symphony Orchestra has always been at the forefront of championing new works, including recent commissions by Mason Bates, Jonathan Leshnoff, James MacMillan and Julia Wolfe. The Pittsburgh Symphony has a long and illustrious history in the areas of recordings and live radio broadcasts dating back to the 1930s. It has toured frequently both domestically and overseas since 1900 – including more than 40 international tours. The Pittsburgh Symphony continues to be critically acclaimed as one of the world’s greatest orchestras.

This release is the thirteenth in the highly acclaimed Pittsburgh Live! series of multi-channel hybrid SACD releases on the FRESH! imprint from Reference Recordings. This series has received Grammy Nominations in 2015, 2016, 2018, 2019, 2020 and 2022. Its recording of Shostakovich’s Symphony no.5/Barber Adagio for Strings won the 2018 Grammy Awards for Best Orchestral Performance and Best Engineered Classical Album. This release and the entire Pittsburgh Live! series are recorded and mastered by the team at Soundmirror, whose outstanding orchestral, solo, opera and chamber recordings have received more than 130 Grammy nominations and awards.

Reference Recordings, founded in 1976 in San Francisco, has multiple Grammy awards and a catalogue that includes numerous American and international orchestras, ensembles and choruses. FRESH! is part of Reference Recordings’ mission to encourage unique and fine artists, and gives them a strong platform for promotion and sales nationally and internationally. Reference Recordings are distributed in North America by Naxos USA, and internationally through a network of independent distributors.

Reviews

Manfred Honeck’s Beethoven does not ‘speak for itself’, whatever that is supposed to mean. Indeed, this Pastoral delivers something to outrage partisans of every stripe. The swift pacing and rejection of string saturation implies period norms, except that the prevailing aesthetic is subjective, closer to Iván Fischer’s liberation-through-nature. ... The coupling makes sense and certainly provides a contrast: Stucky, who died in 2016, sounds distinctly pessimistic about our prospects.  David Gutman
Gramophone August 2022
Gramophone Editor's Choice

Error on this page? Let us know here

Need more information on this product? Click here