Conductors in Rehearsal: Mariss Jansons (R Strauss, Beethoven, Sibelius)
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Label: BR Klassik
Cat No: 900934
Format: CD
Number of Discs: 4
Genre: Orchestral
Release Date: 3rd June 2022
Contents
Works
Symphony no.5 in C minor, op.67Symphony no.2 in D major, op.43
Don Juan, op.20
Ein Heldenleben (A Hero's Life), op.40
Artists
Symphonieorchester des Bayerischen RundfunksConductor
Mariss JansonsWorks
Symphony no.5 in C minor, op.67Symphony no.2 in D major, op.43
Don Juan, op.20
Ein Heldenleben (A Hero's Life), op.40
Artists
Symphonieorchester des Bayerischen RundfunksConductor
Mariss JansonsAbout
CD 1: Richard Strauss - Ein Heldenleben, op.40
In Strauss’s Ein Heldenleben, the main character leaps onto the stage, as it were, from the very first bar onwards. In his rehearsals, Mariss Jansons pays great attention to vivid, three-dimensional characters. The maestro also makes use of images and comparisons to inspire the orchestra.
Rehearsal for the concerts on 17 & 18 March 2011 at the Philharmonie im Gasteig, Munich
CD 2: Ludwig van Beethoven - Symphony no.5 in C minor, op.67
Making the music speak – that is the goal of Mariss Jansons’s rehearsal work with the BRSO. In May 2012 he rehearsed Beethoven’s Fifth; in the autumn of that year, a performance of it in Tokyo earned standing ovations from the Japanese audience.
Rehearsal for the concerts on 17 & 18 May 2012 at the Herkulessaal der Residenz, Munich
CD 3: Richard Strauss - Don Juan, op.20
Mariss Jansons elicits the typical élan of the young Richard Strauss from the BRSO here, pointing to his roots in musical romanticism. With his Don Juan, Strauss established himself early on as an important representative of the progressive “New German School”. His tone poems were very wide-ranging and earned him much admiration, but also a reputation as an “enfant terrible”.
Rehearsal for the concerts on 27 & 28 February 2014 at the Herkulessaal der Residenz, Munich
CD 4: Jean Sibelius - Symphony no.2 in D major, op.43
Mariss Jansons is intensely interested in the images of nature evoked by the music of Jean Sibelius’s Second Symphony. He is also meticulous about sound and expression: the music should sound warm and soulful, but also rich in colour and with extreme differences in volume. Working on the sound is the key to expression here.
Rehearsal for the concerts on 12 & 13 November 2015 at the Herkulessaal der Residenz, Munich.
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