Ravel - Piano Concertos, Melodies
£17.05
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Harmonia Mundi
Cat No: HMM902612
Format: CD
Number of Discs: 1
Release Date: 20th May 2022
Contents
Works
Don Quichotte a DulcineeMelodies hebraiques (2)
Pavane pour une infante defunte
Piano Concerto in D major for the left hand
Piano Concerto in G major
Poemes (3) de Stephane Mallarme
Artists
Cedric Tiberghien (piano)Stephane Degout (baritone)
Les Siecles
Conductor
Francois-Xavier RothWorks
Don Quichotte a DulcineeMelodies hebraiques (2)
Pavane pour une infante defunte
Piano Concerto in D major for the left hand
Piano Concerto in G major
Poemes (3) de Stephane Mallarme
Artists
Cedric Tiberghien (piano)Stephane Degout (baritone)
Les Siecles
Conductor
Francois-Xavier RothAbout
With Cédric Tiberghien and Stéphane Degout, two of the finest specialists in this repertory, this disc provides an opportunity to hear many aspects of his colourful, kaleidoscopic world, from the youthful Pavane to the testamentary cycle Don Quichotte à Dulcinée.
Reviews
By any standards, this is the A Team, and they do not disappoint. Here is Ravel in all his passion and technical wizardry and, praise be, with no intrusive ‘interpretations’ to distress the ear ... A wonderful disc I shall play again and again. Roger Nichols (Concerto Choice)
[Tiberghien] brings his chamber-musical sensibilities and a Gallic suavity to every bar he plays and the piano, a Pleyel from 1892, is gloriously well chosen, the glissandos coming off with ease, while the relative translucency of the lowermost range is a revelation. ... From the first bar of the G major, what strikes anew is Ravel’s originality in terms of instrumental combinations. ... The Left-Hand Concerto is just as revelatory. Harriet Smith (Recording of the Month)
Error on this page? Let us know here
Need more information on this product? Click here