Part - Berlin Mass; Poulenc - Stabat mater; Stravinsky - Symphony of Psalms | BR Klassik 900201

Part - Berlin Mass; Poulenc - Stabat mater; Stravinsky - Symphony of Psalms

£13.25

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Label: BR Klassik

Cat No: 900201

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 6th May 2022

Contents

Artists

Genia Kuhmeier (soprano)
Chor & Symphonieorchester des Bayerischen Rundfunks

Conductor

Mariss Jansons

Works

Part, Arvo

Berliner Messe

Poulenc, Francis

Stabat mater, FP148

Stravinsky, Igor

Symphony of Psalms

Artists

Genia Kuhmeier (soprano)
Chor & Symphonieorchester des Bayerischen Rundfunks

Conductor

Mariss Jansons

About

Three great choral and orchestral works of the 20th century are gathered together in outstanding interpretations on the new CD from BR-KLASSIK: Arvo Pärt's Berlin Mass for choir and string orchestra from 1990, Francis Poulenc's Stabat mater for soprano, mixed choir and orchestra from 1950, and Igor Stravinsky's Symphony of Psalms for choir and orchestra from 1930. The soprano Genia Kühmeier, the incomparable Bavarian Radio Chorus and the Bavarian Radio Symphony Orchestra – two undisputedly world-class ensembles! – under the direction of Mariss Jansons guarantee the highest listening pleasure.

The Estonian composer Arvo Pärt, famed for his magical sounds, created his Berlin Mass as a commission for the 90th German Catholic Convention in Berlin. It was premiered in 1990 for four mixed solo voices and organ. In 1997, Pärt reworked his Mass, written in the so-called "Tintinnabuli" style, for choir and string orchestra.

Francis Poulenc wrote his Stabat mater in response to the unexpected death of his friend, the artist Christian Bérard. Like other sacred works written after his visit to the Black Madonna of Rocamadour, where he found his Catholic faith, this one ranks among his most important compositions.

Igor Stravinsky's well-known Symphony of Psalms, a three-movement symphonic work for choir and orchestra, was written in 1930 as a commission for the Boston Symphony Orchestra. The unusual orchestration – with strong woodwind and brass, percussion instruments, two pianos and only the bass strings (violoncellos, double basses) without violins or violas – gives the work its distinctive sound.

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