JS Bach - The Complete Works for Keyboard Vol.5: Weimar 1708-1717 (Toccatas & Fugues)
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Label: Harmonia Mundi
Cat No: HMM90246365
Format: CD
Number of Discs: 3
Genre: Instrumental
Release Date: 12th November 2021
Contents
Works
Chorale Fantasia 'Wo Gott der Herr nicht bei uns halt', BWV1128Chorale Partita BWV768 'Sei gegrusset, Jesu gutig'
Chorale Prelude BWV706 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV722 'Gelobet seist du, Jesu Christ'
Chorale Prelude BWV727 'Herzlich tut mich verlangen'
Chorale Prelude BWV729 'In dulci jubilo'
Chorale Prelude BWV730 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV732 'Lobt Gott, ihr Christen, allzugleich'
Chorale Prelude BWV738a 'Vom Himmel hoch, da komm ich her'
Chorale Prelude BWV747 'Christus, der uns selig macht'
Concerto in C minor, BWV981 (solo keyboard, after B Marcello)
Fantasia and Fugue in A minor, BWV904
Fantasia super 'Christ lag in Todesbanden', BWV695
Fantasia super 'Jesu, meine Freude', BWV713
Fughetta 'Christum wir sollen loben schon', BWV696
Fughetta 'Das Jesulein soll doch mein Trost', BWV702
Fughetta 'Gelobet seist du, Jesu Christ', BWV697
Fughetta 'Gottes Sohn ist kommen', BWV703
Fughetta 'Herr Jesu Christ, der ein'ge Gottes-Sohn', BWV698
Fughetta 'Lob sei dem allmachtigen Gott', BWV704
Fughetta 'Nun komm, der Heiden Heiland', BWV699
Fughetta 'Vom Himmel hoch, da komm ich her', BWV701
Keyboard Concerto in B flat major, BWV982 (after Ernst)
Keyboard Concerto in D minor, BWV987 (after Ernst)
Keyboard Concerto in G minor (after Telemann), BWV985
Prelude and Fugue in A major, BWV536a
Prelude and Fugue in A minor, BWV543
Prelude and Fugue in A minor, BWV895
Prelude and Fugue in C major, BWV545a
Toccata and Fugue in D minor, BWV538 'Dorian'
Toccata and Fugue in D minor, BWV565
Toccata and Fugue in F major, BWV540
Toccata in C minor, BWV911
Toccata in F sharp minor, BWV910
Toccata in G major, BWV916
Trio Sonata no.4 in E minor, BWV528/2a
Artists
Benjamin Alard (organ, pedal harpsichord, clavichord)Works
Chorale Fantasia 'Wo Gott der Herr nicht bei uns halt', BWV1128Chorale Partita BWV768 'Sei gegrusset, Jesu gutig'
Chorale Prelude BWV706 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV722 'Gelobet seist du, Jesu Christ'
Chorale Prelude BWV727 'Herzlich tut mich verlangen'
Chorale Prelude BWV729 'In dulci jubilo'
Chorale Prelude BWV730 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV731 'Liebster Jesu, wir sind hier'
Chorale Prelude BWV732 'Lobt Gott, ihr Christen, allzugleich'
Chorale Prelude BWV738a 'Vom Himmel hoch, da komm ich her'
Chorale Prelude BWV747 'Christus, der uns selig macht'
Concerto in C minor, BWV981 (solo keyboard, after B Marcello)
Fantasia and Fugue in A minor, BWV904
Fantasia super 'Christ lag in Todesbanden', BWV695
Fantasia super 'Jesu, meine Freude', BWV713
Fughetta 'Christum wir sollen loben schon', BWV696
Fughetta 'Das Jesulein soll doch mein Trost', BWV702
Fughetta 'Gelobet seist du, Jesu Christ', BWV697
Fughetta 'Gottes Sohn ist kommen', BWV703
Fughetta 'Herr Jesu Christ, der ein'ge Gottes-Sohn', BWV698
Fughetta 'Lob sei dem allmachtigen Gott', BWV704
Fughetta 'Nun komm, der Heiden Heiland', BWV699
Fughetta 'Vom Himmel hoch, da komm ich her', BWV701
Keyboard Concerto in B flat major, BWV982 (after Ernst)
Keyboard Concerto in D minor, BWV987 (after Ernst)
Keyboard Concerto in G minor (after Telemann), BWV985
Prelude and Fugue in A major, BWV536a
Prelude and Fugue in A minor, BWV543
Prelude and Fugue in A minor, BWV895
Prelude and Fugue in C major, BWV545a
Toccata and Fugue in D minor, BWV538 'Dorian'
Toccata and Fugue in D minor, BWV565
Toccata and Fugue in F major, BWV540
Toccata in C minor, BWV911
Toccata in F sharp minor, BWV910
Toccata in G major, BWV916
Trio Sonata no.4 in E minor, BWV528/2a
Artists
Benjamin Alard (organ, pedal harpsichord, clavichord)About
With Volume 5, Benjamin Alard closes the trilogy dedicated to the Weimar period.
Here we reach the toccatas, preludes, fantasies and fugues that show the extent to which Bach now mastered French and Italian influences, only to emancipate himself from them and compose in complete freedom.
An unexpected instrument makes its first appearance in this complete recording played on the finest historical keyboards: the clavichord, perfectly at home alongside the organ and the harpsichord.
Here we reach the toccatas, preludes, fantasies and fugues that show the extent to which Bach now mastered French and Italian influences, only to emancipate himself from them and compose in complete freedom.
An unexpected instrument makes its first appearance in this complete recording played on the finest historical keyboards: the clavichord, perfectly at home alongside the organ and the harpsichord.
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