M Harrison - Seven Sacred Names | Cantaloupe CA21157

M Harrison - Seven Sacred Names

£13.25

In stock - available for despatch within 1 working day

Label: Cantaloupe

Cat No: CA21157

Format: CD

Number of Discs: 1

Release Date: 29th October 2021

Contents

Artists

Michael Harrison (piano)
Tim Fain (violin)
Ashley Bathgate (cello)
Caleb Burhans (violin)
Payton MacDonald (percussion)
Ina Filip (voice)
Ritvik Yaparpalvi (tabla)
Roomful of Teeth

Works

Harrison, Michael

Basir
Hayy: Revealing the Tones
Kalim: Epilogue
Kalim: Prologue
Mureed
Qadr: Etude in Raga Bhimpalasi
Sami: The Acoustic Constellation

Multiple composers

Alim: Polyphonic Raga Malkauns

Artists

Michael Harrison (piano)
Tim Fain (violin)
Ashley Bathgate (cello)
Caleb Burhans (violin)
Payton MacDonald (percussion)
Ina Filip (voice)
Ritvik Yaparpalvi (tabla)
Roomful of Teeth

About

Created by pianist and composer Michael Harrison, Seven Sacred Names is meant as a companion album to the book Nature’s Hidden Dimension by author, astrophysicist and modern Sufi mystic W.H.S. Gebel. The Seven Sacred Names, according to the mystical cosmology of Sufism, tell the story of “...an awakening primal Self,” as Gebel writes in the album’s liner notes.

Taken together, Harrison’s seven pieces (with the prologue and epilogue of “Kalim” comprising two distinct movements) foster a listening environment that is ethereal, meditative and at times almost tentative, but also rife with the anticipation and promise of glimpsing hidden truths about ourselves. Featuring a diverse range of artists that includes the Grammy-winning vocal ensemble Roomful of Teeth, vocalist Ina Filip, cellist Ashley Bathgate, violinists Tim Fain and Caleb Burhans, tabla percussionist Ritvik Yaparpalvi and Harrison himself on piano, the recording moves hypnotically through a subtle but ever-changing suite of tranquil moods and colours – with each stage defining a sacred or exalted state meant to inspire awareness, self-knowledge and self-expression.

“I wanted to show how beautiful simple harmonies can be, especially in just intonation,” Harrison says. “I also wanted to invite listeners and musicians to start perceiving just intonation as an infinite harmonic system encompassing limitless possibilities.”

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