Holbrooke - Late Piano Music
£13.25
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Label: Lyrita
Cat No: SRCD395
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 1st October 2021
Contents
Works
Cambrian Ballade no.4 'Maentrog', op.104Fantasie-Sonate no.1 'The Haunted Palace', op.124
Fantasie-Sonate no.2 'Destiny', op.128
Nocturnes (8) for piano, op.121
Artists
Simon Callaghan (piano)About
Almost all the 8 Nocturnes, op.121 employ material from some of Holbrooke’s most successful and popular earlier works. The music critic Ernest Newman, in an often quoted appreciation of the composer written in 1902, wrote that “…Holbrooke can do quite easily and unconsciously what [Richard] Strauss has only done half a dozen times in his career – he can write a big, heartfelt melody that searches us to the very bone…”, and these Nocturnes display Josef’s gift for lyricism.
The two Fantasie-Sonatas, opp. 124 & 128 respectively, are important and substantial works from Holbrooke’s later years. The first is closely based on the opening movement of the Dramatic Choral Symphony ‘Homage to E.A. Poe’, op.48 (1902-1907), but skilfully adapted for pianistic effectiveness. The second Fantasie-Sonata, ‘Destiny’, does not recycle earlier material: it is an entirely original composition of two movements.
Based on the slow movement of the fine Horn Trio, op.28 (1902), Cambrian Ballade no.4, op.104 ‘Maentrog’ commences in the lilting character of a berceuse. A more animated central section leads to an ardent reprise of the opening theme and a coda like a sudden shower of rain. It is tempting to think that in this composition the composer looked back wistfully to a period when his creative fires burned brightly and his talents were recognised by the musical world.
Simon Callaghan has been praised for his ‘velvet-gloved pianism of ravishing sensitivity’ (The Strad). A Steinway Artist, Simon Callaghan performs internationally as a soloist and chamber musician. His recent tours have taken him to Japan, Malaysia, Thailand, Hong Kong, Canada and throughout Europe, and he has performed at all of the UK’s major concert halls. He recently completed a PhD at the RNCM researching the works of Roger Sacheverell Coke (1912-72).
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