Claudio Arrau: The Unreleased Beethoven Recital, 1959
£13.25
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: The Lost Recordings
Cat No: TLR2103039
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 3rd September 2021
Contents
Works
Piano Sonata no.23 in F minor, op.57 'Appassionata'Piano Sonata no.26 in E flat major, op.81a 'Les Adieux'
Piano Sonata no.31 in A flat major, op.110
Artists
Claudio Arrau (piano)About
The label thus offers, as a world premiere, this Beethoven recital by the great Claudio Arrau, recorded on 12 March 1959 at the Hochschule fur Muzik in Berlin, totally unpublished, delivering a breath-taking reading of Les Adieux, the Appassionata and the Sonata op.110. An exceptional document.
When Claudio Arrau took the stage of the prestigious Hochschule für Musik in Berlin on 12 March 1959, he was, at 56, an artist at the very peak of his fame and the pinnacle of his pianistic and intellectual powers. Rarely in pieces other than these solo works for piano, where sentimental confession, mystical reverie and the constant concern for form are inextricably entwined, did Beethoven so clearly create a dramatic sound setting to depict common mortals grappling with their confused feelings, doubts and existential contemplation.
Arrau’s creative genius transcended the contingencies and boundaries of a random condition to attain sublime, monumental heights. Arrau’s recital, imbued with grace, exhibited the perfectly mastered phrasing and weighty sound - driven by an implacable force - that conveys to our innermost selves the metaphysical dimension of these poetic, musical and transparently sincere meditations.
Its three movements bear unequivocal names: Das Lebewohl (Farewell), Adagio - Allegro in D flat major; Abwesenheit (The Absence), Andante espressivo in C minor; Das Wiedersehen (The Return), Vivacissimamente in E Flat major. It refers directly to the brief exile of Archduke Rudolph of Austria in 1809, when he had to flee after the Battle of Wagram.
It gives a close rendition of Beethoven’s changing moods in reaction to the situation of his student and patron, from his despondency when the leader departed to the joy of their reunion. Arrau delves into the emotional intricacies of the work like a sound designer, clearly accentuating the development and variations to give a narrative dimension to the composition.
The slow movement is masterful in its profundity, ineffably melancholic in the variations of shade and subdued lighting. Without any superfluous sentiment, Arrau looks into the depths of the forsaken human soul. He achieves a restrained approach that still overwhelms us with emotion.
Error on this page? Let us know here
Need more information on this product? Click here