Queen Elisabeth Competition 2021: Piano
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Label: Queen Elisabeth Competition
Cat No: QEC2021
Format: CD
Number of Discs: 4
Release Date: 27th August 2021
Contents
Works
Piano Concerto no.2 in B flat major, op.83Variations and Fugue on a theme by Handel, op.24
Nocturnes (21)
Nocturne
Piano Sonata in B minor, S178
D'un Jardin feerique
Piano Concerto no.23 in A major, K488
Piano Concerto no.27 in B flat major, K595
Piano Concerto no.3 in D minor, op.30
Nouvelles Suites de Pieces de Clavecin
Preludes and Fugues (24), op.87
Artists
Jonathan Fournel (piano)Sergei Redkin (piano)
Keigo Mukawa (piano)
Tomoki Sakata (piano)
Vitaly Starikov (piano)
Dmitry Sin (piano)
Belgian National Orchestra
Orchestre Royal de Chambre de Wallonie
Conductors
Hugh WolffFrank Braley
Works
Piano Concerto no.2 in B flat major, op.83Variations and Fugue on a theme by Handel, op.24
Nocturnes (21)
Nocturne
Piano Sonata in B minor, S178
D'un Jardin feerique
Piano Concerto no.23 in A major, K488
Piano Concerto no.27 in B flat major, K595
Piano Concerto no.3 in D minor, op.30
Nouvelles Suites de Pieces de Clavecin
Preludes and Fugues (24), op.87
Artists
Jonathan Fournel (piano)Sergei Redkin (piano)
Keigo Mukawa (piano)
Tomoki Sakata (piano)
Vitaly Starikov (piano)
Dmitry Sin (piano)
Belgian National Orchestra
Orchestre Royal de Chambre de Wallonie
Conductors
Hugh WolffFrank Braley
About
In this 4-CD box set you will find the 6 laureates of this session, that saw the Frenchman Jonathan Fournel win First Prize; you can enjoy his performance in Brahms’s Second Concerto with the Belgian National Orchestra conducted by Hugh Wolff, as well as the whole of his recital in the semi-finale. The Russian Sergei Redkin, second laureate, is present in the Third Concerto of Rachmaninov as well as the compulsory work by Bruno Mantovani. Two concertos by Mozart with the Orchestre Royal de Chambre de Wallonie conducted by Frank Braley are also on the programme: No.23 (K488) by Vitaly Stakirov (5th Prize) and No.27 (K595) with the Japanese Keigo Mugawa (3rd Prize). Chamber music is also well represented, revealing notably Tomoki Sakata (4th Prize) in the Liszt Sonata and Dmitry Sin in Schumann’s Concerto without orchestra [Piano Sonata no.3].
These artistes, all of them exceptional pianists, who tomorrow perhaps will appear on the world’s leading concert platforms, can be discovered here in their first ever recordings.
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