R & E Sainz de la Maza - Complete Music for Guitar
£11.35
In stock - available for despatch within 1 working day
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Label: Brilliant Classics
Cat No: 95417
Format: CD
Number of Discs: 2
Genre: Instrumental
Release Date: 25th June 2021
Contents
Works
Anoranza LejanaBolero
Campanas del alba
Confidencia
Evocacion Criolla
Habanera
Homenaje a Haydn
Homenaje a Toulouse-Lautrec
Homenaje a la guitarra
Laberinto
Pieces (3) for guitar
Platero y yo
Preludio
Sonando caminos
Alegrias
Canciones Castellanas
Cantilena
El Vito
Estudio-Scherzo
Estudio in A minor
La Frontera de Dios
Obras Originales (4)
Petenera
Preludio-Studio
Rondena
Scherzo
Seguidilla-Sevillana
Solea
Zapateado
Artists
Salvatore Fortunato (guitar)Works
Anoranza LejanaBolero
Campanas del alba
Confidencia
Evocacion Criolla
Habanera
Homenaje a Haydn
Homenaje a Toulouse-Lautrec
Homenaje a la guitarra
Laberinto
Pieces (3) for guitar
Platero y yo
Preludio
Sonando caminos
Alegrias
Canciones Castellanas
Cantilena
El Vito
Estudio-Scherzo
Estudio in A minor
La Frontera de Dios
Obras Originales (4)
Petenera
Preludio-Studio
Rondena
Scherzo
Seguidilla-Sevillana
Solea
Zapateado
Artists
Salvatore Fortunato (guitar)About
Regino’s virtuosic spirit was apparent from the start, and in a short time his technical skill had made him a fixture in concert halls across Spain, and by the end of the 1920s Regino already had toured Argentina, Uruguay, Brazil, Germany and England. In 1930 he accepted a post as guitar teacher at the Madrid Conservatory, and in 1940 he premiered the famous Concierto de Aranjuez, dedicated to him by its composer, Joaquín Rodrigo. Regino’s own works are characterised by a strong national character: his Zapateado, Seguidilla, Rondeña and El Vito are a ‘manifesto’ of 20th-century Spanish guitar composition, with writing that is always idiomatic – ‘made to measure’ for the guitarist.
Regino’s younger brother, Eduardo, has a completely different style and character. As a youth, Eduardo was overwhelmed by Regino’s talent and decided to study cello instead at conservatory and play guitar only privately. He would give up the cello in 1930 and finally devote himself to the guitar, but with an introverted personality unlike his brother’s he had retired from the concert stage by 1960, devoting himself entirely to teaching and composition. Stylistically also very different from his brother, Eduardo’s music does not rely on virtuosity, but is instead rich in harmony, combining Spanish nationalism with jazz and, above all, impressionism.
Played with dedication and a true feeling for the style by the Italian guitarist Salvatore Fortunato, a winner of several international guitar competitions, who recently made a successful recording for Brilliant Classics of guitar music by Dilermando Reis.
Salvatore Fortunato plays a guitar by Leonardo De Gregorio (2013).
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