Der makabere Zirkus
£9.45
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Label: Brilliant Classics
Cat No: 96088
Format: CD
Number of Discs: 1
Genre: Chamber
Release Date: 13th November 2020
Contents
Works
Toccata, Adagio and Fugue in C major, BWV564Los mareados (arr. Marcelo Nisinman)
Griseta
Ojos negros
Alberto's Tango
Der makabere Zirkus
Humans & Insects
Arrabal
La Cumparsita
Artists
Marcelo Nisinman TrioWorks
Toccata, Adagio and Fugue in C major, BWV564Los mareados (arr. Marcelo Nisinman)
Griseta
Ojos negros
Alberto's Tango
Der makabere Zirkus
Humans & Insects
Arrabal
La Cumparsita
Artists
Marcelo Nisinman TrioAbout
A reflection, as well, of his inspired choice of colleagues. Joining him in the Nisinman Trio are Europeans Alberto Mesirca on classical and electric guitars and Winfried Holzenkamp on bass and ukulele. Holzenkamp went to Buenos Aires to study tango bass with Horacio Cabarcos and Héctor Console, while the Italian-born Mesirca is a classical guitarist by training and in style, but with a knowledge of Sephardic music and of the Baroque lute and guitar repertoire.
The Baroque era is represented on this album, in fact, in two non-tango arrangements: Bach’s Adagio and 17th-century organist–composer Dietrich Buxtehude’s Prelude in D. While respecting the original contrapuntal wealth of these pieces, Nisinman takes them into very different tonal territory. A formidable and innovative composer in the genre, his relationship with the tango tradition is mediated by an acute sense of the contemporary, as is evidenced by the three originals on the album. But Nisinman’s approach to arranging is aptly defined by the German term Bearbeitung, implying recomposition and reinvention of the various musical parameters involved. His own compositions and those of the two giants of the Baroque stand in evocative relief against forward-thinking arrangements of tango standards, with recognisable elements displaced, slowed, and restarted in new zones on the palette of instrumental colour. The bandoneón alternates between legato and staccato, its variety of touch and intensity representing the coexistence – peaceful or otherwise – of the sacred and profane within the tango idiom
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