Neapolitan Concertos for Various Instruments
£15.15
In stock - available for despatch within 1 working day
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Label: Pan Classics
Cat No: PC10413
Format: CD
Number of Discs: 1
Genre: Orchestral
Release Date: 13th March 2020
Contents
Works
Sonata III a flauto e violiniSonata II a violoncello e b.c.
Sonata I a violoncello e b.c.
Sonata XV
Concerto di Violino solo con piu strumenti
Sonata XI a flauto, violini e b.c.
Sinfonia di violoncello a solo
Artists
Priska Comploi (recorder)German Echeverri (violin)
Daniel Rosin (cello)
Musica Fiorita
Conductor
Daniela DolciWorks
Sonata III a flauto e violiniSonata II a violoncello e b.c.
Sonata I a violoncello e b.c.
Sonata XV
Concerto di Violino solo con piu strumenti
Sonata XI a flauto, violini e b.c.
Sinfonia di violoncello a solo
Artists
Priska Comploi (recorder)German Echeverri (violin)
Daniel Rosin (cello)
Musica Fiorita
Conductor
Daniela DolciAbout
Early 18th-century Naples was a flourishing centre for the production of sophisticated instrumental music - a diverse panorama characterised by an extraordinary variety of genres and forms. Naples prided itself on being an important school of repertoire for string instruments, emanating from the city's conservatories, the foundries of famous masters and virtuoso students. The Neapolitan interest in string instruments was not only reserved to the violin - here represented by a Violin Concerto by Pergolesi; great importance was also attached to the cello which in the course of the 17th century gradually became a solo instrument, emancipating itself from a mere "basso continuo instrument". The Neapolitan cello literature succeeded in perfecting the technique and developing the expressive and melodic capabilities of the instrument illustrated here by works by Francesco Supriani and Stefano Galeotti. Neapolitan instrumental music had another great protagonist with the recorder. Most composers of the Neapolitan school who wrote for the recorder were primarily opera composers, often transferring the suppleness of the human voice into instrumental writing for this instrument, as Domenico Sarri and Giovanni Battista Mele did.
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