Les Espaces Electroacoustiques II
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Label: Col Legno
Cat No: COL40003
Format: Hybrid SACD
Number of Discs: 2
Release Date: 28th February 2020
Contents
Works
Altra voceKlangfiguren II
Terminus X
A floresta e jovem e cheja de vida
La fabbrica illuminata
Omaggio a Emilio Vedova (1960)
Kontakte
Artists
Sarah Maria Sun (soprano)Liliana Poli (voice)
Kadigia Bove (voice)
Elena Vicini (voice)
Berto Troni (voice)
William O Smith (clarinet)
Monica Bacelli (mezzo-soprano)
Michele Marasco (alto flute)
Francesco Giomi (live electronics)
Damiano Meacci (live electronics)
Kilian Schwoon (live electronics)
Johannes Herrmann (piano)
Lucía Carro Veiga (percussion)
Kees Tazelaar (sound projection)
Carlos Hidalgo (sound projection)
German Toro Perez (sound projection, artistic direction)
Florian Bogner (recording, mix, mastering)
Leandro Gianini (recording)
Works
Altra voceKlangfiguren II
Terminus X
A floresta e jovem e cheja de vida
La fabbrica illuminata
Omaggio a Emilio Vedova (1960)
Kontakte
Artists
Sarah Maria Sun (soprano)Liliana Poli (voice)
Kadigia Bove (voice)
Elena Vicini (voice)
Berto Troni (voice)
William O Smith (clarinet)
Monica Bacelli (mezzo-soprano)
Michele Marasco (alto flute)
Francesco Giomi (live electronics)
Damiano Meacci (live electronics)
Kilian Schwoon (live electronics)
Johannes Herrmann (piano)
Lucía Carro Veiga (percussion)
Kees Tazelaar (sound projection)
Carlos Hidalgo (sound projection)
German Toro Perez (sound projection, artistic direction)
Florian Bogner (recording, mix, mastering)
Leandro Gianini (recording)
About
This double SACD is intended as a complement to the release Les Espaces Électroacoustiques, Masterpieces of electroacoustic music presented in 5.1 surround and stereo, published by col legno in 2016. Like its predecessor, the album at hand presents a selection of historically significant works with electronics that were originally conceived for multichannel formats and are made available for the first time in surround. The first issue’s positive reception, reflecting a strong interest in this repertoire and a growing awareness of the necessity of adequate and historically informed performances, has been a major motivation behind this project. Both SACDs reflect key issues studied in several projects on performance practice of electroacoustic music realised at the Institute for Computer Music and Sound Technology of the Zurich University of the Arts since 2012. This publication represents for the moment the conclusion of studies on early productions from the Studio di Fonologia della RAI di Milano and WDR’s Studio für elektronische Musik at Cologne, and on works by composers represented in the collection of the Paul Sacher Foundation, Basle.
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