Blackford - Pieta | Nimbus NI6396

Blackford - Pieta

£10.40

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Label: Nimbus

Cat No: NI6396

Format: CD

Number of Discs: 1

Release Date: 3rd January 2020

Contents

Artists

Jennifer Johnston (mezzo-soprano)
Stephen Gadd (baritone)
Amy Dickson (soprano saxophone)
Bournemouth Symphony Chorus
Bournemouth Symphony Youth Chorus
Bournemouth Symphony Orchestra

Conductor

Gavin Carr

Works

Blackford, Richard

Canticle of Winter for soprano saxophone and string orchestra
Pieta

Artists

Jennifer Johnston (mezzo-soprano)
Stephen Gadd (baritone)
Amy Dickson (soprano saxophone)
Bournemouth Symphony Chorus
Bournemouth Symphony Youth Chorus
Bournemouth Symphony Orchestra

Conductor

Gavin Carr

About

Pietà is a setting of the Stabat Mater by Richard Blackford, with additional poems by the Russian poet Anna Akhmatova. Performed by mezzo and baritone soloists, SATB chorus, children’s chorus, strings and solo saxophone. Pietà was commissioned by the Bournemouth Symphony Chorus and St Albans Choral Society (conductor George Vass) with support from the Nimbus Foundation. It was first performed on 22 June 2019 at The Lighthouse, Poole with Nimbus recording this remarkable work directly after the premiere.

Canticle of Winter was written during the winter of 2019, and was inspired by the last stanza of Robert Frost’s poem Stopping by Woods on a Snowy Evening: the sense of restlessness, of something unresolved, despite the beauty of the winter landscape, permeates the music. The dynamic range of the entire piece is from ppp to barely more than mf, and it is the soft, plangent sound of the soprano sa xophone that evokes the stillness of the winter night and the traveler’s journey through it. Canticle of Winter was first performed on October 19th 2019 by the Bournemouth Symphony Orchestra at Cadogan Hall, London, conducted by Gavin Carr. The soloist was Amy Dickson, to whom the work is dedicated.

“The alternation of strong and violent music with rapture, exultation and ecstasy is surely what distinguishes Blackford’s work…this rich, romantic and discerning new work…nothing less than a masterpiece.” - Roderic Dunnett, The Church Times

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