Sweelinck - Fantasias, Toccatas & Variations
£14.49
In stock - available for despatch within 1 working day
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
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Label: Linn
Cat No: CKD589
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 15th November 2019
Contents
Works
Est-ce Mars, SwWV321Fantasia 'Ut re mi fa sol la', SwWV263
Fantasia Chromatica in Dorian mode, SwWV258
Fantasia a 4, SwWV273
Fantasia no.3
Mein junges Leben hat ein End, SwWV324
Paduana Lachrymae, SwWV328
Praeludium Toccata
Toccata Primi Toni, SwWV286
Toccata Secundi Toni, SwWV292
Toccata
Artists
Richard Egarr (harpsichord)Works
Est-ce Mars, SwWV321Fantasia 'Ut re mi fa sol la', SwWV263
Fantasia Chromatica in Dorian mode, SwWV258
Fantasia a 4, SwWV273
Fantasia no.3
Mein junges Leben hat ein End, SwWV324
Paduana Lachrymae, SwWV328
Praeludium Toccata
Toccata Primi Toni, SwWV286
Toccata Secundi Toni, SwWV292
Toccata
Artists
Richard Egarr (harpsichord)About
Richard Egarr was appointed Music Director of the Academy of Ancient Music in 2006. He was Associate Artist of the Scottish Chamber Orchestra from 2011 to 2017 and has been appointed Principal Guest Conductor of the Residentie Orkest in The Hague from 2019. He is Artistic Partner of The Saint Paul Chamber Orchestra and Music Director Designate of Philharmonia Baroque Orchestra & Chorale. He will assume Music Directorship in 2021. As well as an accomplished conductor Egarr is also a brilliant harpsichordist, and equally skilled on the organ and fortepiano. He regularly plays solo at major venues such as Wigmore Hall, London, and Carnegie Hall, New York, and has recorded many albums for Harmonia Mundi and Linn.
“The Sweelinck pieces, a toccata and the ‘Fantasia Crommatica’, were luminous, their wandering into distant keys tastefully pointed up, but unmistakable.” - Washington Post
“In addition to Sweelinck’s queasy downward-slithering tunes, there were acerbic harmonic juxtapositions and clashes…Mr. Egarr’s playing showing a cleanliness, refinement and style all too rare among harpsichordists.” - New York Times
Reviews
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