Margaret Price in Recital
£14.20
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Label: Australian Eloquence
Cat No: ELQ4825237
Format: CD
Number of Discs: 2
Genre: Vocal/Choral
Release Date: 27th September 2019
Contents
Works
Almen se non poss'ioAltenberg Lieder (5), op.4
La conocchia
Roman Dream, op.54
Sheherazade
L'invito
Die Forelle (The Trout), op.32 D550
Du bist die Ruh', D776, op.59 no.3
Gretchen im Zwinger, (Gretchens Bitte) D564
Heidenroslein, op.3 no.3 D257
Gaelic Ballads (3)
Bugeilio'r Gwenith Gwyn
Dafydd y Garreg Wen
Wrth Fynd Efo Deio I Dowyn
Y Deryn Pur
Y bore glas
Ad una stella
Ave Maria
Chi i bei di m'adduce ancora
Deh, pietoso, oh Addolorata
Il poveretto
In solitaria stanza
L'esule
La seduzione
La zingara
Lo spazzacamino
Nell'orror di notte oscura
Non t'accostare all'urna
Perduta ho la pace
Stornello
Artists
Margaret Price (soprano)James Lockhart (piano)
Geoffrey Parsons (piano)
London Symphony Orchestra
Conductor
Claudio AbbadoWorks
Almen se non poss'ioAltenberg Lieder (5), op.4
La conocchia
Roman Dream, op.54
Sheherazade
L'invito
Die Forelle (The Trout), op.32 D550
Du bist die Ruh', D776, op.59 no.3
Gretchen im Zwinger, (Gretchens Bitte) D564
Heidenroslein, op.3 no.3 D257
Gaelic Ballads (3)
Bugeilio'r Gwenith Gwyn
Dafydd y Garreg Wen
Wrth Fynd Efo Deio I Dowyn
Y Deryn Pur
Y bore glas
Ad una stella
Ave Maria
Chi i bei di m'adduce ancora
Deh, pietoso, oh Addolorata
Il poveretto
In solitaria stanza
L'esule
La seduzione
La zingara
Lo spazzacamino
Nell'orror di notte oscura
Non t'accostare all'urna
Perduta ho la pace
Stornello
Artists
Margaret Price (soprano)James Lockhart (piano)
Geoffrey Parsons (piano)
London Symphony Orchestra
Conductor
Claudio AbbadoAbout
In 1971 Andrew Porter wrote that Margaret Price’s voice was among the things that make one ‘glad to be alive’. In the 1960s she had recorded for a small Welsh label a recital of Welsh, German and Italian songs that would become signature items for her over the coming decades. Reissued in 1969 by L’Oiseau-Lyre, the album makes it to CD for the first time in this compilation. In favourites such as Schubert’s Heidenröslein, Verdi’s Ave Maria and five Welsh folksongs, Price is on sovereign form, with a gleaming upper register and engagingly fresh phrasing.
Also from the early 70s is a rare foray into contemporary music inspired by her Welsh heritage, with Alun Hoddinott’s setting of a text by Emyr Humphries, Roman Dream. She recorded this for Argo along with a set of Gaelic folksongs by Phyllis Tate; these, too, are transferred to CD for the first time.
More familiar delights are offered on CD 2, with Deutsche Grammophon capturing her voice in full and glorious maturity in a 1987 album of Verdi songs and a recording of Ravel’s opulent, oriental song-cycle Sheherezade, in which she is sensitively partnered by the London Symphony Orchestra under a long-time musical partner, Claudio Abbado; together in 1971 they had recorded the Altenberg-Lieder of Berg which fill out CD 1.
‘The attraction is the voice, warm, with a mezzo quality still evident, beautifully even in texture, nobly full-bodied on high, generous in phrasing.’ – Gramophone, April 1976 (L’Oiseau-Lyre recital)
‘The real prize is the haunting Altenberg Lieder, sung to perfection by Margaret Price – and the sound is excellent.’ – High Fidelity, December 1988 (Berg)
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