Kenneth Hamilton plays Ronald Stevenson Vol.2
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Label: Prima Facie
Cat No: PFCD107
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 12th July 2019
Contents
Works
Piano Concerto no.2Grounds (3) (Purcell)
Hornpipe (Purcell)
Komm, susser Tod, BWV478 (J S Bach)
Little jazz variations on Purcell's 'New Scotch Tune'
Norse Elegy
Recitative and Air (DSCH)
The High Road to Linton
The Queen's Dolour - A Farewell (Purcell)
Threepenny Sonatina (on Weill's Threepenny Opera)
Toccata (Purcell)
Artists
Kenneth Hamilton (piano)Works
Piano Concerto no.2Grounds (3) (Purcell)
Hornpipe (Purcell)
Komm, susser Tod, BWV478 (J S Bach)
Little jazz variations on Purcell's 'New Scotch Tune'
Norse Elegy
Recitative and Air (DSCH)
The High Road to Linton
The Queen's Dolour - A Farewell (Purcell)
Threepenny Sonatina (on Weill's Threepenny Opera)
Toccata (Purcell)
Artists
Kenneth Hamilton (piano)About
Kenneth Hamilton, a former student, friend and colleague of the composer, performs Ronald Stevenson’s music with “understanding and brilliance” (Andrew McGregor, BBC Radio 3 Record Review). Volume 2 features a riveting collection of Celtic pieces, including the coruscating Keening Sang for a Makar, Stevenson’s complete Purcell transcriptions, and the first recording of the wonderfully witty Threepenny Sonatina, based on themes from Kurt Weill’s Threepenny Opera.
Ronald Stevenson (1928-2015) was Scotland’s Franz Liszt - a fascinatingly fertile and highly contentious figure in the world of contemporary music: virtuoso composer-pianist, passionate polemicist and cultural crusader. Stevenson’s multifarious musical interests, left wing political leanings and enlightened Scottish nationalism led him to be labelled as a neo-Romantic reactionary, or even as a socialist-realist. But in the wake of his recent death, we can see him more clearly as a post-modernist born before his time, penning works of emotional intensity, imagination and vigour in a defiantly distinctive voice- producing some of the most thought-provoking piano music of the 20th century.
Described after a concerto performance as “an outstanding virtuoso - one of the finest players of his generation” (Moscow Kommersant), by the New York Times as a performer “of energy and wit”, and by Tom Service in The Guardian as “an all-round virtuoso”, Kenneth Hamilton performs worldwide as a recitalist, and broadcasts regularly on the BBC.
“Hamilton brings exactly the right degree of control to the unstoppable streams of musical ideas, without ever compromising their energy or technical brilliance.” - Andrew Clements, The Guardian
“All the pieces are tackled with real passion. This is an unmissable disc, and one waits impatiently for Volume Two.” - Colin Clarke, Fanfare
“A gorgeous recording and excellent performance...Kenneth Hamilton’s sumptuous tone is part of the treat.” - Jack Sullivan, American Record Review
“Kenneth Hamilton is quite magnificent...One marvels at Stevenson’s creative genius, particularly in performances as fine as these.” - Bruce Reader, The Classical Reviewer
Reviews
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