Biorklund-Jullander - Improvisations, Concert Etudes & Meditations
£19.90
Usually available for despatch within 2-3 working days
Despatch Information
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Label: Sterling
Cat No: CDA1824
Format: CD
Number of Discs: 3
Release Date: 4th May 2018
Contents
Works
Ja, ma han levaConcert Etude no.1 in E flat minor
Concert Etude no.2 in E flat major
Concert Etude no.3 in C sharp minor
Concert Etude no.4 in F sharp minor
Improvisation on 'Bereden vag for Herran'
Improvisation on 'Happy Birthday'
Improvisation on 'Ja, ma han leva' in the style of Mozart
Improvisations on 'Harlig ar Jorden' in 5 different styles
Meditation 1
Meditation 2
Meditation 3
Meditation 4
Meditation 5
Meditation 6
Symphony no.40 in G minor, K550
Artists
Staffan Biorklund-Jullander (piano)Nicolai Kammarkor
Conductor
Christian LjunggrenWorks
Ja, ma han levaConcert Etude no.1 in E flat minor
Concert Etude no.2 in E flat major
Concert Etude no.3 in C sharp minor
Concert Etude no.4 in F sharp minor
Improvisation on 'Bereden vag for Herran'
Improvisation on 'Happy Birthday'
Improvisation on 'Ja, ma han leva' in the style of Mozart
Improvisations on 'Harlig ar Jorden' in 5 different styles
Meditation 1
Meditation 2
Meditation 3
Meditation 4
Meditation 5
Meditation 6
Symphony no.40 in G minor, K550
Artists
Staffan Biorklund-Jullander (piano)Nicolai Kammarkor
Conductor
Christian LjunggrenAbout
‘My relationship to the art of improvisation has, over the years as a musician, followed me like a shadow. It has always been there, I used to say: I play from scores just for living, but as an improviser I work as an artist. I also have divided my musical life in two parts: as a soloist, (where I improvise a lot) and as an accompanist, when it is very practical to use scores, of course. But as mentioned, my real “I” does not belong to the world of written music, unless I compose music myself. Then this will have another importance for me. My entire musical history is about the polarization of improvisation versus scored music. I cannot live without the notes, but yet feel that improvisations are suppressed by scored music. It is a very time consuming activity to practice new repertoire, and many times I feel like a copier and not easy to get the motivation.’
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