Cherubini - Medea
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: Warner
Cat No: 9029584460
Format: CD
Number of Discs: 2
Genre: Opera
Release Date: 15th September 2017
Contents
Artists
Maria Callas (soprano)Gino Penno
Maria Luisa Nache
Giuseppe Modesti
Conductor
Leonard BernsteinWorks
MedeaArtists
Maria Callas (soprano)Gino Penno
Maria Luisa Nache
Giuseppe Modesti
Conductor
Leonard BernsteinAbout
The character of Medea became closely associated with Maria Callas. In 1969, several years after she had left the opera stage, she even played the betrayed and finally infanticidal sorceress in a film directed by Pier Paolo Pasolini. Her second run of appearances in Cherubini’s opera was at La Scala in 1953 with Leonard Bernstein conducting. He later described her as “a power station” in the role, and soprano and conductor did indeed strike sparks off each other in the theatre: this performance is incandescent. In 1962, Medea brought Callas’s final appearances at La Scala, the opera house that in the 1950s had become her artistic home.
Recorded 10 December 1953, Teatro alla Scala, Milano
Maria Callas was born to a Greek family in New York in 1923. Her vocal training took place in Athens, where her teacher was the coloratura soprano Elvira de Hidalgo, who had sung with Enrico Caruso and Feodor Chaliapin. After early performances in Greece, Callas’ international career was launched in 1947 when she performed the title role in Ponchielli’s La Gioconda at the Arena di Verona in Italy.
Her voice defied simple classification and her artistic range was extraordinary. In her early twenties she sang such heavy dramatic roles as Gioconda, Turandot, Brünnhilde and Isolde, but over the course of her career her most famous roles came to be: Bellini’s Norma and Amina (La sonnambula); Verdi’s Violetta (La traviata); Donizetti’s Lucia di Lammermoor and Anna Bolena, Cherubini’s Medea and Puccini’s Tosca. Though her timbre was not always conventionally beautiful, Callas’s musicianship and phrasing were in a class of their own. She brought characters to vivid life with her skill in colouring her tone and making insightful use of the text. She is credited with changing the history of opera: by placing a perhaps unprecedented emphasis on musical integrity and dramatic truth, and by transforming perceptions – and reviving the fortunes – of the bel canto repertoire, particularly Bellini and Donizetti.
The 1950s marked the height of Callas’s career. Its base lay in the opera houses of Italy, and she became the prima donna assoluta of Milan’s legendary La Scala – notably in the productions of Luchino Visconti – but her operatic appearances also encompassed London’s Royal Opera House, the New York Metropolitan Opera, Paris Opéra, the Vienna State Opera, and the opera houses of Chicago, Dallas, Houston, Lisbon, and, in the early 1950s, Mexico City, São Paolo and Rio de Janeiro.
From 1959, when she started a life-changing love affair with the Greek shipping magnate Aristotle Onassis, her performing career slowed down and her voice became more fragile. Her final stage performances came in 1965, when she was only 42. There were many plans for a return to the stage – and for further complete recordings – but they never reached fruition, though in 1974 she gave a series of concerts in Europe, North America and Japan with the tenor Giuseppe di Stefano; he had partnered her frequently in the opera house and in the studio, not least in the 1953 La Scala Tosca under Victor de Sabata, considered a landmark in recording history. Callas died alone in her Paris apartment in September 1977.
This product has now been deleted. Information is for reference only.
Error on this page? Let us know here
Need more information on this product? Click here