Mielczewski - Vesperae dominicales
£13.25
Usually available for despatch within 2-3 working days
Despatch Information
This despatch estimate is based on information from both our own stock and the UK supplier's stock.
If ordering multiple items, we will aim to send everything together so the longest despatch estimate will apply to the complete order.
If you would rather receive certain items more quickly, please place them on a separate order.
If any unexpected delays occur, we will keep you informed of progress via email and not allow other items on the order to be held up.
If you would prefer to receive everything together regardless of any delay, please let us know via email.
Pre-orders will be despatched as close as possible to the release date.
Label: CD Accord
Cat No: ACD227
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 27th January 2017
Contents
Works
Audite et admiraminiCanzona III a 3
Canzona I a 3
Currite populi
Deus in nomine tuo
Laudate Dominum
Salve Virgo
Sub tuum praesidium
Triumphalis dies
Veni Domine
Vesperae dominicales
Artists
Aldona Bartnik (soprano)Agnieszka Ryman)
Aleksandra Turalska (sopran)
Matthew Venner (countertenor)
Piotr Lykowski (countertenor)
Piotr Olech (countertenor)
Maciej Gocman (tenor)
Karol Kozlowski (tenor)
Tomas Lajtkep (tenor)
Tomas Kral (bass)
Bogdan Makal (bass)
Jonathan Brown (bass)
Jerzy Butryn (bass)
Wroclaw Baroque Ensemble
Conductor
Andrzej KosendiakWorks
Audite et admiraminiCanzona III a 3
Canzona I a 3
Currite populi
Deus in nomine tuo
Laudate Dominum
Salve Virgo
Sub tuum praesidium
Triumphalis dies
Veni Domine
Vesperae dominicales
Artists
Aldona Bartnik (soprano)Agnieszka Ryman)
Aleksandra Turalska (sopran)
Matthew Venner (countertenor)
Piotr Lykowski (countertenor)
Piotr Olech (countertenor)
Maciej Gocman (tenor)
Karol Kozlowski (tenor)
Tomas Lajtkep (tenor)
Tomas Kral (bass)
Bogdan Makal (bass)
Jonathan Brown (bass)
Jerzy Butryn (bass)
Wroclaw Baroque Ensemble
Conductor
Andrzej KosendiakAbout
During preparations for this recording I was torn between the availability of knowledge about the works in question and the sensibilities of a performer living in the second decade of the 21st century. The idea of performing Mielczewski’s vespers (Vesperae dominicales) in the way they were performed in larger and richer centres like Gdańsk or Wrocław in the second half of the 17th century seemed highly appealing. (...)
In the double choir works I was particularly mindful of the ensembles’ spatial arrangement (placed opposite each other) and that it be reflected in the sound of the recording. For space plays an exceptionally vital role in Mielczewski’a works written in the spirit of the Venetian polychoral tradition.(...) The acoustics of the NFM offer fantastic opportunities of realising the composer’s spatial concepts. (...)
For this recording I invited a group of artists with whom I work regularly. We all share a fascination for early Polish music and an understanding of its repertoire, which allows us to be mutually inspired in the preparation and performance of these musical works.
Error on this page? Let us know here
Need more information on this product? Click here