Telemann - The Oboe Album
£18.95
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Label: Accent
Cat No: ACC24314
Format: CD
Number of Discs: 2
Release Date: 24th June 2016
Contents
Works
Concerto for trumpet, 2 oboes and basso continuo, TWV43:D7Concerto in E major for flute, oboe d'amore and viola d'amore, TWV53:E1
Oboe Concerto in E minor, TWV51:e1
Oboe Concerto in F minor, TWV51:f2
Oboe Sonata in A minor, TWV41:a3
Oboe Sonata in G minor, TWV41:g6
Oboe d'amore Concerto in A major, TWV51:A2
Partita no.4 in G minor, TWV41:g2
Sonata in C minor for 2 oboes, TWV42:c4
Trio in D minor for flute, oboe and b.c. TWV42:d4
Trio in E flat major for oboe, harpsichord and b.c. TWV42:Es3
Trio in G minor for oboe, violin and b.c. TWV42:g5
Artists
Marcel Ponseele (oboe)Il Gardellino
Works
Concerto for trumpet, 2 oboes and basso continuo, TWV43:D7Concerto in E major for flute, oboe d'amore and viola d'amore, TWV53:E1
Oboe Concerto in E minor, TWV51:e1
Oboe Concerto in F minor, TWV51:f2
Oboe Sonata in A minor, TWV41:a3
Oboe Sonata in G minor, TWV41:g6
Oboe d'amore Concerto in A major, TWV51:A2
Partita no.4 in G minor, TWV41:g2
Sonata in C minor for 2 oboes, TWV42:c4
Trio in D minor for flute, oboe and b.c. TWV42:d4
Trio in E flat major for oboe, harpsichord and b.c. TWV42:Es3
Trio in G minor for oboe, violin and b.c. TWV42:g5
Artists
Marcel Ponseele (oboe)Il Gardellino
About
This set presents oboe music by Georg Philipp Telemann that Ponseele recorded for the Accent label. The collection is an interesting anthology of the chamber music repertoire which spans the period from the Kleine Cammer-music (1716) to the Essercizii Musici (1740). The evolution in style can clearly be seen between the short and simple movements of the Kleine Cammer-music and the sophisticated passages such as the long second movement of the sonata from the Tafelmusik. In the beginning Telemann sought to keep the elements of the various national styles separate, but in the later works he mixed these styles within the same movement of a sonata.
The concertos for oboe and oboe d’amore represent what could be called a counter-model to those by Vivaldi. Telemann prefers the older, four-movement sonata da chiesa form and in addition to using Vivaldi’s form of ritornello, he employs other movement models modified from the French rondeau or from dance movements.
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