19th-Century Guitar Music
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Label: Brilliant Classics
Cat No: 95024
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 24th June 2016
Contents
Works
Le Fandango Varie, op.16Sonatina
Le tournoi, op.15
Rossiniana no.1, op.119
Caprices (36), op.20
La Despedida, op.21 'Les Adieux!'
Artists
Luigi Attademo (guitar)Works
Le Fandango Varie, op.16Sonatina
Le tournoi, op.15
Rossiniana no.1, op.119
Caprices (36), op.20
La Despedida, op.21 'Les Adieux!'
Artists
Luigi Attademo (guitar)About
The best-known names on this album are Mauro Giuliani and his rival Fernando Sor, both being famed through the capitals of Europe as virtuoso guitarists in the first decades of the 19th century. Giuliani’s Capricci Op.20 are a synthesis of his musical style, full of virtuoso passages and feature a delightful melodic vein that clearly derives from the bel canto tradition. Meanwhile the Fantasia Op.21 and the Variations Op.9 are fine examples of Sor’s style, with their implicit references to Mozart and Haydn as sources of inspiration.
Less familiar to us now is Dionisio Aguado, who was in Paris during the 1830s. His renown as a composer is less widespread than that of Sor, perhaps because he spent much of his life writing a teaching method (published in 1849) that embodies not only a synthesis of his technical vision of the instrument, but also an aesthetics of sound and an approach to interpretation that are distinctly modern in concept.
The guitar’s technological innovations are more evident in the music of Napoléon Coste, a student of Sor who devised a seven-stringed guitar that responded to the need for greater timbral and harmonic variety, offering extended richness in the lower register. Le Tournoi, a ‘Fantasie chevaleresque’, was conceived for this type of instrument, and derives directly from the programmatic music typical of the romantic symphonic repertoire. It is no coincidence that the piece was dedicated to Hector Berlioz.
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