Pacho Flores: Cantar
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Label: Deutsche Grammophon
Cat No: 4791068
Format: CD
Number of Discs: 1
Genre: Orchestral
Release Date: 27th May 2016
Contents
Works
Chorale Prelude BWV659 'Nun komm der Heiden Heiland'Mass in B minor, BWV232
Oboe Concerto in C major (adapted for trumpet)
Le Coucou (arr. Efrain Oscher)
Solomon, HWV67
Concerto in E flat major for horn (trumpet), strings and continuo
Soledad
Trumpet Concerto in D major (arr. Ivan Jevtic)
Artists
Pacho Flore (trumpets, flugelhorn, corno da caccia)Jorg Strodthoff (organ)
Ralf Benesch (vihuela, guitar)
Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Conductor
Christian VasquezWorks
Chorale Prelude BWV659 'Nun komm der Heiden Heiland'Mass in B minor, BWV232
Oboe Concerto in C major (adapted for trumpet)
Le Coucou (arr. Efrain Oscher)
Solomon, HWV67
Concerto in E flat major for horn (trumpet), strings and continuo
Soledad
Trumpet Concerto in D major (arr. Ivan Jevtic)
Artists
Pacho Flore (trumpets, flugelhorn, corno da caccia)Jorg Strodthoff (organ)
Ralf Benesch (vihuela, guitar)
Sabine Erdmann (harpsichord)
Konzerthausorchester Berlin
Conductor
Christian VasquezAbout
While the main focus here is on the Baroque, Flores, the Konzerthausorchester Berlin and conductor Christian Vásquez have also included a couple of contemporary works, spicing up European formality with a dash of Latin verve. “We’ve chosen a Baroque tango by Efraín Oscher, Soledad (Solitude), and Álvaro Paiva’s Soy tu ayer (I’m your yesterday), which I recorded on the first album I made in Venezuela, the idea being to choose music that’s full of vitality.”
“The Tartini piece is a violin concerto popularised by Maurice André, and I add my own very personal ornaments to it using an A piccolo trumpet. The Cimarosa, originally written for oboe, has a brighter, more resonant tone, which I reflect by using a B flat piccolo trumpet. In both cases, though, you still hear the original character of the concerto coming through.” Plenty of thought has gone into the different geographical flavours of the Baroque too: we have works from England (Handel), Italy (Cimarosa and Tartini), Germany (Bach and Neruda) and France (Daquin). “We were missing something from the Spanish Baroque, given that I’m Latin American and have that historical link back to Spain. Efraín Oscher, who arranged the Bach Prelude, BWV 881, and Daquin’s Le Coucou (The Cuckoo), also wrote the arrangement of the Tarantella, a guitar work by Santiago de Murcia which was discovered in Mexico and for which I chose a powerful F trumpet.” Nine instruments, five varieties of the Baroque – Flores’s DG debut really is a stunning achievement!
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