J S Bach - Organ Masterworks Vol.5
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Label: Claves
Cat No: 501503
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 29th June 2015
Contents
Works
Cantata BWV21 'Ich hatte viel Bekummernis'Chorale Prelude BWV614 'Das alte Jahr vergangen ist'
Chorale Prelude BWV618 'O Lamm Gottes, unschuldig'
Chorale Prelude BWV619 'Christe, du Lamm Gottes'
Chorale Prelude BWV641 'Wenn wir in hochsten Noten sein'
Chorale Prelude BWV665 'Jesu Christus, unser Heiland'
Chorale Prelude BWV728 'Jesu, meine Zuversicht'
Chorale Prelude BWV734 'Nun freut euch, lieben Christen gmein'
Chorale Prelude BWV751, 'In dulci jubilo'
Chorale Prelude BWV1092 'Herr Gott, nun schleuss den Himmel auf'
Fantasia and Fugue in A minor, BWV904
Herr Christ, der einge Gottessohn, BWV Anh55
Prelude and Fugue in D minor, BWV539 'Fiddle'
Prelude and Fugue in G major, BWV902
Sonata for solo violin no.1 in G minor, BWV1001
Artists
Kei Koito (organ)Works
Cantata BWV21 'Ich hatte viel Bekummernis'Chorale Prelude BWV614 'Das alte Jahr vergangen ist'
Chorale Prelude BWV618 'O Lamm Gottes, unschuldig'
Chorale Prelude BWV619 'Christe, du Lamm Gottes'
Chorale Prelude BWV641 'Wenn wir in hochsten Noten sein'
Chorale Prelude BWV665 'Jesu Christus, unser Heiland'
Chorale Prelude BWV728 'Jesu, meine Zuversicht'
Chorale Prelude BWV734 'Nun freut euch, lieben Christen gmein'
Chorale Prelude BWV751, 'In dulci jubilo'
Chorale Prelude BWV1092 'Herr Gott, nun schleuss den Himmel auf'
Fantasia and Fugue in A minor, BWV904
Herr Christ, der einge Gottessohn, BWV Anh55
Prelude and Fugue in D minor, BWV539 'Fiddle'
Prelude and Fugue in G major, BWV902
Sonata for solo violin no.1 in G minor, BWV1001
Artists
Kei Koito (organ)About
When J S Bach played the organ in church services and recitals, he generally improvised instead of performing existing pieces. It is a sad thought that probably 90% of the music he played on the organ is lost to us forever – extemporaneous pieces that disappeared with the fading strains of the performances.
But fortunately Bach wrote out model compositions for his students and contemporaries, and it is from these preserved treasures that the distinguished organist Kei Koito draws for the present recording, which provides a rich sampling of both free works (that is, works not based on a pre-existing melody) and chorale settings.
Played on the Volckland organ of Cruciskirche, Germany.
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