Brahms - Symphony No.3 / Debussy - La Mer
£12.83
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Label: ICA Classics
Cat No: ICAC5123
Format: CD
Number of Discs: 1
Release Date: 3rd February 2014
Contents
Works
Symphony no.3 in F major, op.90Poeme de l'amour et de la mer, op.19
Artists
Janet Baker (mezzo-soprano)London Symphony Orchestra
Conductor
Evgeny SvetlanovWorks
Symphony no.3 in F major, op.90Poeme de l'amour et de la mer, op.19
Artists
Janet Baker (mezzo-soprano)London Symphony Orchestra
Conductor
Evgeny SvetlanovAbout
Evgeny Svetlanov (1928–2002) began his conducting career in 1953 at the Bolshoi Theatre, becoming chief conductor in 1962. In 1965 he was appointed chief conductor of the USSR State Symphony Orchestra, where he remained until his death. Valery Gergiev described the USSR State Symphony as an ‘orchestra with a voice’ under Svetlanov.
From 1970 onwards, Svetlanov started to conduct in the West and with the advent of perestroika in the late 1980s, many musicians, including Svetlanov, took up positions in Europe. He was a regular guest conductor in the UK – with the London Symphony Orchestra (becoming prinicipal guest in 1979), the Philharmonia and the BBC Symphony Orchestra – as well as in the Netherlands, France and Japan.
Svetlanov’s repertoire was large (including his discography). In addition to the full range of Russian works, he was a masterly conductor of non-Russian composers of the late-Romantic era, including Bruckner, Elgar and Mahler, as well as Debussy and Brahms as demonstrated here. He died in 2002 shortly after conducting the BBCSO in a memorable account of Rachmaninov’s cantata The Bells.
The performances of the Brahms and Debussy are recorded in brilliant stereo and have never been issued before.
The Brahms is both powerful and mellifluous, superbly played by the LSO, while the Debussy has tension from the start, combining colour, sensitivity and transparency. David Nice states in his booklet notes ‘Svetlanov reminds us that "impressionism" is quite the wrong term for what develops as pure expressionism. As this recording demonstrates, no conductor ever made a more Dionysian orgy out of the final charge to the stampeding finish.’
The bonus consists of Janet Baker singing the final song from Chausson’s Počme de l’amour et de la mer - ‘La Mort de l’amour – Le Temps des lilas’. This comes from the same concert and has been previously issued. In a review of this performance, The Times wrote of Janet Baker’s ‘lovely tone throughout a wide range and an equally beautiful shapeliness and continuity of line’. Svetlanov was praised for achieving a refined orchestral blend and balance. The performance was said to have held ‘a large audience spellbound’.
Contents:
- Brahms: Symphony No.3
- Debussy: La Mer
London Symphony Orchestra / Evgeny Svetlanov
Royal Festival Hall, London - 17 April 1975
Bonus:
- Chausson: Počme de l’amour et de la mer III La Mort de l’amour - Le Temps des lilas
Janet Baker (mezzo-soprano)
London Symphony Orchestra / Evgeny Svetlanov
Royal Festival Hall, London - 17 April 1975
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