Dobrinka Tabakova - String Paths
£13.25
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Label: ECM New Series
Cat No: 4764826
Format: CD
Number of Discs: 1
Release Date: 13th May 2013
Contents
Artists
Maxim Rysanov (viola)Kristina Blaumane (cello)
Torleif Thedeen (cello)
Boris Andrianov (cello)
Roman Mints (violin)
Janine Jansen (violin)
Julia-Maria Kretz (violin)
Amihai Grosz (viola)
Raimondas Sviackevicius (accordion)
Donatas Bagurskas (double bass)
Stacey Watton (double bass)
Vaiva Eidukaityte-Storastiene (harpsichord)
Lithuanian Chamber Orchestra
Conductor
Maxim RysanovWorks
Cello ConcertoFrozen River Flows
Insight
Such different paths
Suite in Old Style
Artists
Maxim Rysanov (viola)Kristina Blaumane (cello)
Torleif Thedeen (cello)
Boris Andrianov (cello)
Roman Mints (violin)
Janine Jansen (violin)
Julia-Maria Kretz (violin)
Amihai Grosz (viola)
Raimondas Sviackevicius (accordion)
Donatas Bagurskas (double bass)
Stacey Watton (double bass)
Vaiva Eidukaityte-Storastiene (harpsichord)
Lithuanian Chamber Orchestra
Conductor
Maxim RysanovAbout
The disc features Tabakova’s Concerto for Cello & Strings and the Rameau-channeling Suite in Old Style for viola and chamber orchestra - both performed by the Lithuanian Chamber Orchestra - as well as three chamber works: the string trio Insight, the string septet Such Different Paths and a trio for violin, accordion and double-bass, Frozen River Flows.
The performers include star violinist Janine Jansen, leading the septet, and several of Tabakova’s former conservatory colleagues from the Guildhall School of Music and Drama: violinist Roman Mints, violist and conductor Maxim Rysanov, and Kristina Blaumane, principal cellist of the London Philharmonic Orchestra.
Tabakova’s music has a particularly 21st-century feel for its broad palette - its free mix of tonality and modality, of folk-music influence and the example of past masters. In it there resides the new and the familiar, or rather the familiar within the new, and vice versa; there are the spirits of East and West coursing through the pieces, usually hand in hand; and just as the composer’s technical virtuosity is apparent, she displays a gift for direct communication that can be heard in virtually every measure.
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