Countertenors | Naive V5328

Countertenors

Label: Naive

Cat No: V5328

Format: CD

Number of Discs: 1

Genre: Vocal/Choral

Release Date: 11th March 2013

Contents

Artists

Philippe Jaroussky (countertenor)
Iestyn Davies (countertenor)
Andreas Scholl (countertenor)
Gerard Lesne (countertenor)
James Bowman (countertenor)
David DQ Lee (countertenor)
Dominique Visse (countertenor)
Ewa Mallas-Godlewska (soprano)
Derek Lee Ragin (countertenor)
Ensemble Matheus
Concerto Vocale Leipzig
Ensemble baroque de Limoges
Il Seminario Musicale
La Grande Ecurie et la Chambre du Roy
Modo Antiquo
Les Talens Lyriques

Conductors

Jean-Christophe Spinosi
Christophe Coin
Jean-Claude Malgoire
Federico Maria Sardelli
Christophe Rousset

Works

Bach, Johann Sebastian

Cantata BWV85 'Ich bin ein guter Hirt'
» Jesus ist ein guter Hirt
Cantata BWV175 'Er rufet seinen Schafen mit Namen'
» Komm, leite mich

Broschi, Riccardo

Son qual nave ch'agitata

Charpentier, Marc-Antoine

Mors Saulis et Jonathae, H403
» Ecquid ad surdos nunc spargo carmina?

Dowland, John

Can she excuse my wrongs (The Right Honourable Robert, Earl of Essex, his Galliard), P42
Flow my teares

Gluck, Christoph Willibald

Orfeo ed Euridice (Orpheus and Eurydice)
» Che faro senza Euridice? (What is life?) (Act 3)

Handel, George Frideric

Giulio Cesare, HWV17
» Va tacito e nascosto

Purcell, Henry

O solitude, my sweetest choice, Z406

Vivaldi, Antonio

Dixit Dominus, RV594
» De torrente in via
Griselda, RV718
» La Rondinella Amante
Motezuma, RV723
» Gl' oltraggi della sorte
Nisi Dominus (Psalm 126), RV608
» Cum dederit
Orlando furioso (1714), RV819
» Piangero, sin che l'onda del pianto
Orlando furioso, RV728
» Sol da te, mio dolce amore (Act 1)

Artists

Philippe Jaroussky (countertenor)
Iestyn Davies (countertenor)
Andreas Scholl (countertenor)
Gerard Lesne (countertenor)
James Bowman (countertenor)
David DQ Lee (countertenor)
Dominique Visse (countertenor)
Ewa Mallas-Godlewska (soprano)
Derek Lee Ragin (countertenor)
Ensemble Matheus
Concerto Vocale Leipzig
Ensemble baroque de Limoges
Il Seminario Musicale
La Grande Ecurie et la Chambre du Roy
Modo Antiquo
Les Talens Lyriques

Conductors

Jean-Christophe Spinosi
Christophe Coin
Jean-Claude Malgoire
Federico Maria Sardelli
Christophe Rousset

About

The 1994 film 'Farinelli' catapulted the countertenor voice into the limelight. Nearly 20 years later, one thing is clear: countertenors are sought after by opera houses, record companies and agents more than ever.

The English singer James Bowman was one of the pioneers of the countertenor repertoire: his ability to create a luscious sound with a fluid legato is ably demonstrated in his legendary recording of the aria from Gluck’s Orfeo ed Euridice, “Che faro senza Euridice”, and in “Va tacito e nascosto” from Handel’s Giulio Cesare.

In the French countertenor firmament Dominique Visse stands out for his musicianship. His voice takes on a biting, slightly stinging quality in the aria from Vivaldi’s 'Motezuma'.

Gérard Lesne
founded Il Seminario Musicale in 1985. Today Lesne’s expanded musical horizons include both jazz and pop recordings. The American Derek Lee Ragin, took off with his recording of the 'Farinelli' soundtrack. The film’s director, Gérard Corbiau, had the bold idea of mixing Ragin’s countertenor voice with that of soprano Ewa Mallas-Godlewska, thereby creating the unique timbre of a castrato.

Andreas Scholl's excerpts from two Bach cantatas showcase his fascinating timbre as well as his sense of rhetoric and phrasing.

A brilliant new generation of counter-tenors continues to carry the torch. Foremost among them is Philippe Jaroussky whose instantly recognisable voice is of an audacious purity. Iestyn Davies, born in 1979, is a great admirer of James Bowman. His voice combines expressive flexibility and technical agility, and these qualities stand out in his recording of an aria from Vivaldi’s 'Griselda'. The rising Korean star David DQ Lee displays robust vocal foundations and masterful breathing technique.

If further proof of the countertenors’ achievements were needed, it can be found in the fact that major opera houses now slate works with entirely male casts, bringing together up to nine countertenors! What was once just a fashion has become the cutting edge.

Artists:
- Philippe Jaroussky (countertenor) - Iestyn Davies (countertenor) - Ensemble Matheus/Spinosi
- Andreas Scholl (countertenor) - Concerto Vocale Leipzig, Ensemble baroque de Limoges/Coin
- Gérard Lesne (countertenor) - Il Seminario Musicale
- James Bowman (countertenor) - La grande écurie & la Chambre du Roy/Malgoire
- David DQ Lee (countertenor) - Modo Antiquo/Sardelli
- Dominique Visse (countertenor) - Ewa Mallas-Godlewska (soprano) - Derek Lee Ragin (countertenor) - Les Talens Lyriques/Rousset

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