Bach Collegium Japan: Bach for Japan | BIS BISCD2011

Bach Collegium Japan: Bach for Japan

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Label: BIS

Cat No: BISCD2011

Format: CD

Number of Discs: 1

Release Date: 30th April 2012

Contents

Artists

Bach Collegium Japan

Conductor

Masaaki Suzuki

Works

Bach, Johann Sebastian

Cantata BWV105 'Herr, gehe nicht ins Gericht mit deinem Knecht'
» Aria: Wie zittern und wanken
Cantata BWV106 'Gottes Zeit ist die allerbeste Zeit' (Actus tragicus)
» Aria: In deine Hande befehl ich meinen Geist
» Arioso & chorale: Heute wirst du mit mir im Paradies sein
» Sonatina
Cantata BWV115 'Mache dich, mein Geist, bereit'
» Aria: Bete aber auch dabei
Cantata BWV127 'Herr Jesu Christ, wahr' mensch und Gott'
» Aria: Die Seele ruht in Jesu Handen
Cantata BWV151 'Susser Trost, mein Jesus kommt'
» Aria: Susser Trost, mein Jesus kommt
Cantata BWV156 'Ich steh mit einem Fuss im Grabe'
» Aria with Chorale: Ich steh mit einem Fuss im Grabe
» Sinfonia (Arioso)
Cantata BWV159 'Sehet, wir gehn hinauf gen Jerusalem'
» Aria: Es ist vollbracht
Cantata BWV170 'Vergnugte Ruh, beliebte Seelenlust'
» Aria: Vergnugte Ruh, beliebte Seelenlust
Chorale Prelude BWV639 'Ich ruf' zu dir, Herr Jesu Christ'
Chorale Prelude BWV641 'Wenn wir in hochsten Noten sein'
Chorale Prelude BWV727 'Herzlich tut mich verlangen'
Motet BWV229 'Komm, Jesu, komm'
Orchestral Suite no.3 in D major, BWV1068
» II Air 'Air on the G string'

Artists

Bach Collegium Japan

Conductor

Masaaki Suzuki

About

This compilation has been produced by Bach Collegium Japan and Masaaki Suzuki as part of their ongoing work to support the victims of the earthquake and tsunami off the Pacific coast of Japan in March 2011.

This selection comprises arias from Bach Collgium Japan’s ongoing cycle of the complete church cantatas, as well as instrumental movements, the motet Komm, Jesu, komm, and three organ chorales recorded by Masaaki Suzuki especially for this release.

The disc is being sold for the benefit of ‘Tohoku Help’, a local relief effort organized by the Sendai Christian Alliance, with the performers donating their royalties and BIS Records contributing the same amount.

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