CPE Bach - Solo Keyboard Music Vol.23
£13.25
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Label: BIS
Cat No: BISCD1763
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 3rd January 2012
Contents
Works
Clavierstuck fur die rechte oder linke Hand allein, Wq117/1 H241Fantasia in D major, Wq117/14 H160
Fantasia in D minor, Wq117/12 H224
Fantasia in G major, Wq117/11 H223
Fugue in D minor, Wq119/2 H99
Keyboard Sonata in A major, Wq65/32 H135
Keyboard Sonata in C minor, Wq65/31 H121
Keyboard Sonata in G major, Wq62/11 H63
Keyboard Sonata in G major, Wq62/14 H77
Solfeggio in A major, Wq117/4 H222
Solfeggio in C minor, Wq117/2 H220
Solfeggio in E flat major, Wq117/3 H221
Artists
Miklos Spanyi (clavichord)Works
Clavierstuck fur die rechte oder linke Hand allein, Wq117/1 H241Fantasia in D major, Wq117/14 H160
Fantasia in D minor, Wq117/12 H224
Fantasia in G major, Wq117/11 H223
Fugue in D minor, Wq119/2 H99
Keyboard Sonata in A major, Wq65/32 H135
Keyboard Sonata in C minor, Wq65/31 H121
Keyboard Sonata in G major, Wq62/11 H63
Keyboard Sonata in G major, Wq62/14 H77
Solfeggio in A major, Wq117/4 H222
Solfeggio in C minor, Wq117/2 H220
Solfeggio in E flat major, Wq117/3 H221
Artists
Miklos Spanyi (clavichord)About
In his acclaimed series of CPE Bach's music for solo keyboard, Miklós Spányi has constructed a programme consisting of four sonatas from the 1750s, including the closing Sonata in A major (Wq65/32).
The sonatas are interspersed with a number of shorter pieces: Solfeggios and Fantasias composed mainly to be used in the teaching of Bach's own students
Particularly interesting is the Fantasia in D major, Wq117/14, an example of Bach's ‘free fantasias’ which is completely unmeasured, requiring the performer to devise his or her own appropriate rhythm in the style of an improvisation.
Of his most recent disc in the series, International Record Review wrote 'Anyone expecting a chaste, Dresden-china simplicity is in for a culture schock as Spányi probes beneath the surface of Bach's highly articulate musical surfaces with a temporal plasticity that creates the impression of living, breathing musical organisms.'
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