Canzoni Recercate e Spiritate: The Bari Organ School
£15.15
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Label: Digressione Music
Cat No: DIGR87
Format: CD
Number of Discs: 1
Genre: Instrumental
Release Date: 13th November 2020
Contents
Works
Ricercare no.3Ricercare del IX tono con due fughe
Canzona Quarta
Partite sopra La Monica
Toccata Prima
Toccata cromaticha per l'elevazione
Canzon I, 'La Spiritata'
Pastorale in C major
Introduzione e Pastorale
Passagagli
Variazioni per il paggio todesco
Ricercata quinta
Canzona franzesa settima cromatica (Book 1)
Versi (4) e Canzona in Do
Artists
Giulia Corvaglia (organ)Angela D’amico (organ)
Stella Beatrice Lotesoriere (organ)
Pierluigi Mazzoni (organ)
Fabio Paiano (organ)
Margherita Sciddurlo (organ)
Graziano Semeraro (organ)
Domenico Tagliente (organ)
Giovanna Tricarico (organ)
Nicola Vinci (organ)
Works
Ricercare no.3Ricercare del IX tono con due fughe
Canzona Quarta
Partite sopra La Monica
Toccata Prima
Toccata cromaticha per l'elevazione
Canzon I, 'La Spiritata'
Pastorale in C major
Introduzione e Pastorale
Passagagli
Variazioni per il paggio todesco
Ricercata quinta
Canzona franzesa settima cromatica (Book 1)
Versi (4) e Canzona in Do
Artists
Giulia Corvaglia (organ)Angela D’amico (organ)
Stella Beatrice Lotesoriere (organ)
Pierluigi Mazzoni (organ)
Fabio Paiano (organ)
Margherita Sciddurlo (organ)
Graziano Semeraro (organ)
Domenico Tagliente (organ)
Giovanna Tricarico (organ)
Nicola Vinci (organ)
About
The Pugliese organ heritage is enormous and to date only partially classified. The Pugliese organ is commonly derived from the constructive and phonic tradition of the Neapolitan positive, a model to which even the instrument of Saint Francis can be assimilated. That model remains almost unchanged until the middle of the nineteenth century, even if the organ evolution of the Central and Northern-Italy is also felt in Puglia; however, the presence of great instruments with more keyboards and “concert” recordings remains an exception, the prerogative of some great cathedrals and extraordinary events, which with some exceptions does not take hold in the small but active circle of the southern organ, always loyal to the Neapolitan model, in deference to the seventeenth-century polyphonic tradition.
The instrument of Saint Francis in Monopoli is of uncertain attributions even if it is to be counted as an anonymous Pugliese architect, who realized it in 1710. The last restoration of 2010, by Francesco Zanin of Codroipo (UD), wanted to give the instrument a historically reliable intonation, based on numerous examples of contemporary instruments present in the area; the programme executed aims to enhance the peculiar characteristics of the instrument in terms of intonation and temperament.
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