Arda il mio core: Works by Monteverdi, Dowland & Kapsberger
£11.88
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Label: Vanitas
Cat No: VA10
Format: CD
Number of Discs: 1
Genre: Vocal/Choral
Release Date: 17th November 2017
Contents
Works
Come again, sweet Love doth now inviteFirst Booke of Songes or Ayres
John Dowlands Galliard, P21
Sir John Souch his Galliard
Time stands still
Ay que si, ay que no
De las luces que en el mar
Esperar, sentir, morir
La noche tenebrosa (Guerra manuscript)
Peynandose estaba un olmo
Tened, parad, suspended
Kapsberger, Johannes Hieronymous
Gia risi del mio malFolle e ben che si crede
Ecco di dolci raggi
L'incoronazione di Poppea (The Coronation of Poppea)
Marionas
Non sia chi mi riprenda
Artists
Pedro Perez (countertenor)Andres Alberto Gomez
Ignacio Portillo
Sara Agueda
Works
Come again, sweet Love doth now inviteFirst Booke of Songes or Ayres
John Dowlands Galliard, P21
Sir John Souch his Galliard
Time stands still
Ay que si, ay que no
De las luces que en el mar
Esperar, sentir, morir
La noche tenebrosa (Guerra manuscript)
Peynandose estaba un olmo
Tened, parad, suspended
Kapsberger, Johannes Hieronymous
Gia risi del mio malFolle e ben che si crede
Ecco di dolci raggi
L'incoronazione di Poppea (The Coronation of Poppea)
Marionas
Non sia chi mi riprenda
Artists
Pedro Perez (countertenor)Andres Alberto Gomez
Ignacio Portillo
Sara Agueda
About
In the early 17th century, in order to express complex emotions such as love, musicians and poets inspired by the classic historic past, searched for semanticity about which Zarlino had already talked on his Institutioni harmoniche (1558). Later, Vincenzo Galilei set up in 1581 the basis on which ‘the new music’ would be built, relating words and sounds to the emotional world of the listener. And from that very moment, the Theory of the Affections stopped being just a theory and turned into a language that gets the spectator involved in the effects. These musicians and poets who provided their words at the service of music, developed a real intellectual and emotional game. They managed to delve into the intricacies of love, fighting against the annoyance and despair of rejection. Who better than the continuous dialogue between a musician and a poet to express it?
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